Opus Jazz's 'Nothing Left To Explain' had a release date set for February 1, 2026. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Pity Me". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Singapore. Nothing Left To Explain is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nothing Left To Explain by Opus Jazz having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cherish | David Osborne | A Minor | 1 | 8A | 141 BPM | ||
| Uncertainty | Nate Kotcher | F Major | 0 | 7B | 67 BPM | ||
| Providential | Healing Piano | G Major | 1 | 9B | 131 BPM | ||
| Portrait in Syncopation | Hermione Dark | C Major | 0 | 8B | 132 BPM | ||
| セプテンバー・ウォーク | Yoshio Chin Suzuki | C Minor | 1 | 5A | 138 BPM | ||
| Evening Standard | India Manes | C Major | 1 | 8B | 153 BPM | ||
| Naima | Scott Sanders | A♭ Minor | 2 | 1A | 83 BPM | ||
| Still Waters | Jasmine Myra | G Minor | 4 | 6A | 142 BPM | ||
| Mr. Paris | Tingl. | A♭ Minor | 2 | 1A | 83 BPM | ||
| Time On My Hands | Chris Botti | F Major | 2 | 7B | 96 BPM | ||
| Underneath the Archway | Jacob Brown | A♭ Minor | 2 | 1A | 83 BPM | ||
| Hypocrite | Opus Jazz | A♭ Minor | 2 | 1A | 83 BPM | ||
| Un cielo cosi non torna | Dolce Vita | E Minor | 2 | 9A | 129 BPM | ||
| It Might as Well Be Spring | Bill Frisell, Fred Hersch | G Major | 0 | 9B | 198 BPM | ||
| White Walls | The Hidden Lounge Club | C Minor | 1 | 5A | 141 BPM | ||
| Twin Beans | Chelsea's Swing, Stone Standard | A♭ Minor | 7 | 1A | 150 BPM | ||
| Distant Conversations | Alec Carrilo | A♭ Minor | 2 | 1A | 83 BPM | ||
| Both Sides Now | Fernando Merlino Trio | D Major | 1 | 10B | 134 BPM | ||
| Shadow Play | Glass Trio | C Minor | 2 | 5A | 81 BPM | ||
| Cozy Jazz Coffee Time | MellowMate | E♭ Major | 1 | 5B | 86 BPM | ||
| Miracle | Rio Carlos, Butterfly Bossa Nova Covers | A Major | 5 | 11B | 135 BPM | ||
| A Tune Folded in Your Pocket | Alexander Campbell | C Major | 0 | 8B | 108 BPM | ||
| Whispered Toasts | Maison de Jazz | G Minor | 3 | 6A | 117 BPM | ||
| The Woman Knew | Opus Jazz | A♭ Minor | 2 | 1A | 83 BPM | ||
| Juegos En El Horizonte | Jimmy Flower Sax | A♭ Minor | 2 | 1A | 83 BPM |