Mohammed Rafi's ' "Hasinon Se To Bas Saheb" was released on its scheduled release date, January 1, 1963. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 6 in the song's album "Ustadon Ke Ustad". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Hasinon Se To Bas Saheb is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hasinon Se To Bas Saheb by Mohammed Rafi having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruke Na Jo Jhuke Na Jo | Mahendra Kapoor, Kalyanji-Anandji | D♭ Minor | 7 | 12A | 110 BPM | ||
| Dhokha Khayegi Na Yaron Ki Nazar | Mohammed Rafi | F♯ Major | 5 | 2B | 98 BPM | ||
| Jai Bholenath | Hariharan | G Minor | 7 | 6A | 180 BPM | ||
| Jab Yaad Ki Badli Chhati Hai | Mahendra Kapoor | G Major | 4 | 9B | 118 BPM | ||
| Gun Guna Rahe Hai Bhanvare | Asha Bhosle, Mohammed Rafi, S. D. Burman | B Major | 4 | 1B | 104 BPM | ||
| Aye Babrika Aye Reeka Reeka | Kavita Krishnamurthy | F Major | 10 | 7B | 86 BPM | ||
| Yeh Zindagi Chaman Hai | K. J. Yesudas | G Major | 3 | 9B | 145 BPM | ||
| Shri Durga Sapshati - Aathwaan Adhyaye | Narendra Chanchal | E♭ Major | 7 | 5B | 80 BPM | ||
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Gham Nahin Kar Muskura (From "Chhoo Mantar") | Geeta Dutt | A♭ Major | 6 | 4B | 121 BPM | ||
| Ae Dil Dekhe Hai Humne | Mukesh | F♯ Minor | 7 | 11A | 89 BPM | ||
| Ogh Mayecha Kadhi Thambu Naye | Anuradha Paudwal | G Major | 3 | 9B | 128 BPM | ||
| Bahe Dheere Dheere Naiya | N. H. Shami, Vinod | D Minor | 6 | 7A | 135 BPM | ||
| Hanske Na Tir Chalana-Duet | Lata Mangeshkar, Mohammed Rafi | D Major | 5 | 10B | 115 BPM | ||
| Beqarar Hai Koi | Suraiya, Mohammed Rafi | E♭ Minor | 3 | 2A | 161 BPM | ||
| Kab Se Khadi Hoon Jagdambe Maa (Part-2) | Anuradha Paudwal | F♯ Minor | 5 | 11A | 80 BPM | ||
| Bhagwan Shri Krishna Kanhaiyya Ki Aarti | Anuradha Paudwal | C Minor | 6 | 5A | 156 BPM | ||
| Chhalke Ras Ki Gagariya Sari | Wahidan Bai, Anil Biswas | D Major | 3 | 10B | 101 BPM | ||
| Mekhandam Agar Imshab | Ahmad Zahir | D♭ Minor | 7 | 12A | 176 BPM | ||
| Shiv Pita Parmatma Shaant Man Kare | Brahma Kumari | F♯ Major | 4 | 2B | 145 BPM | ||
| Chham Chham Baje Re Payaliya | Manna Dey | A♭ Minor | 6 | 1A | 109 BPM | ||
| Hum Khwab Ko Badal Denge | Hemlata, Yesudas | B♭ Major | 6 | 6B | 115 BPM | ||
| Kahe Jiya Dole | Uma Devi | C Major | 4 | 8B | 162 BPM | ||
| Mahv-E-Khayal-E-Yaar Hain | Hemlata | D♭ Major | 4 | 3B | 123 BPM | ||
| Mera Bandar Chala Sasural | Kamal Barot, Mohammed Rafi | G Major | 7 | 9B | 123 BPM |