"Deeply Buried" by The Microphones had its release date on 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Song Islands". In this album, this song's track order is #15. Deeply Buried is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Deeply Buried by The Microphones having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waiting To Hit | Lift To Experience | A Major | 7 | 11B | 170 BPM | ||
| The Glow | The Microphones | C Major | 5 | 8B | 123 BPM | ||
| (Something) | The Microphones | B♭ Minor | 0 | 3A | 100 BPM | ||
| Reed to Hillsborough | Duster | G Major | 5 | 9B | 95 BPM | ||
| Low Budget Slow Motion Soundtrack Song for the Leaving Scene | Carissa's Wierd | E♭ Major | 2 | 5B | 158 BPM | ||
| Cigarette Machine | Codeine | C Major | 3 | 8B | 133 BPM | ||
| Inside the Golden Days of Missing You | Silver Jews | D Major | 6 | 10B | 112 BPM | ||
| Mio, Min Mio | Weatherday | D Major | 8 | 10B | 76 BPM | ||
| 엑스트라 일대기 Extra Story | Parannoul | A Major | 5 | 11B | 75 BPM | ||
| Through Hallways | Brave Little Abacus | F♯ Minor | 8 | 11A | 100 BPM | ||
| Moon, I Already Know | Mount Eerie | B Minor | 1 | 10A | 126 BPM | ||
| The Ground So Soft | Lift To Experience | D Major | 6 | 10B | 116 BPM | ||
| Down Through | Red House Painters | B♭ Major | 2 | 6B | 142 BPM | ||
| Things Mean A Lot | Red House Painters | C Major | 2 | 8B | 110 BPM | ||
| How to Rent a Room | Silver Jews | C Major | 5 | 8B | 115 BPM | ||
| All Lined Up | Swans | B♭ Major | 6 | 6B | 107 BPM | ||
| Soria Moria | Mount Eerie | B Minor | 1 | 10A | 98 BPM | ||
| America (Never Been) | Car Seat Headrest | D Major | 6 | 10B | 67 BPM | ||
| Telephony | Have A Nice Life | F Minor | 4 | 4A | 130 BPM | ||
| The Weight (and the Sea) | Bluetile Lounge | A Major | 1 | 11B | 77 BPM | ||
| God Damn The Sun | Swans | D Major | 3 | 10B | 168 BPM | ||
| Fillmore Jive | Pavement | D Major | 5 | 10B | 152 BPM | ||
| Who's Gonna Hold The Line | Tacoma Radar | B Major | 5 | 1B | 93 BPM | ||
| Ron - remastered | Slint | D Major | 6 | 10B | 113 BPM | ||
| The Computers Stopped Exchanging Information | Newfound Interest in Connecticut | C Major | 5 | 8B | 178 BPM |