On November 1, 2003, the song "Bulerias #22 Con Palmas" was released by Sabicas. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "The Greatest Flamenco Guitarist". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Based on our statistics, Bulerias #22 Con Palmas's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bulerias #22 Con Palmas by Sabicas having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Recuerdos de la Alhambra | Paola Hermosín | D Major | 3 | 10B | 149 BPM | ||
| El Pare y el Hijo (feat. Pepe Habichuela & Antonio Sousa) - Tangos | El Cabrero, António Sousa, Pepe Habichuela | D♭ Minor | 5 | 12A | 99 BPM | ||
| Como Reluce Triana (Fiesta por Bulerías) | Antonio Mairena, Esteban de Sanlúcar | B♭ Minor | 3 | 3A | 113 BPM | ||
| Paseo De Los Castanos | Tomatito | F Minor | 8 | 4A | 128 BPM | ||
| Tangos gitanos | Enrique Montoya, Sabicas | F♯ Minor | 5 | 11A | 97 BPM | ||
| Con Nuestro Corazón A Paco De Lucía - Rumba | Juan Habichuela Nieto, Carles Benavent, Jorge Pardo | B Minor | 9 | 10A | 112 BPM | ||
| En El Rincón De Mi Alma (Minera y Alegría) | Manuel Cerpa | D♭ Major | 5 | 3B | 76 BPM | ||
| Farruca | Sabicas, Paco Peña, Eliot Fisk | D Minor | 4 | 7A | 129 BPM | ||
| Mezquita Cordobesa | Niño de Granada | G Major | 6 | 9B | 115 BPM | ||
| La Flor De La Canela | Paco de Lucía, Ramón Algeciras | A Minor | 8 | 8A | 105 BPM | ||
| Azul (Fantasía) | Daniel Casares | A Major | 1 | 11B | 107 BPM | ||
| La soleá | Enrique Montoya, Sabicas | E Minor | 6 | 9A | 157 BPM | ||
| Serenata españole | Joaquín Malats, Pepe Romero | A Major | 0 | 11B | 82 BPM | ||
| Salobre | Traditional, Paco Peña | D♭ Major | 1 | 3B | 121 BPM | ||
| Sevillanas Del Siglo XVIII | Ricardo Modrego, Paco de Lucía | E♭ Major | 4 | 5B | 101 BPM | ||
| Creer Para Ver | Dani de Morón | F Minor | 3 | 4A | 79 BPM | ||
| Augusto Caliente | Los Principes del Flamenco | E Minor | 6 | 9A | 85 BPM | ||
| Bulerias | Sabicas | F♯ Major | 4 | 2B | 128 BPM | ||
| Guajiras de Lucia | Rafael Aguirre | A Major | 1 | 11B | 145 BPM | ||
| El rincón de mi casa | Diego del Morao | A♭ Major | 6 | 4B | 90 BPM | ||
| Granados: 12 Danzas españolas: No. 5, Andaluza | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Torre de Marfil (Rumba Flamenco) | Paco Cepero | A♭ Minor | 8 | 1A | 176 BPM | ||
| Tiento Canastero (Tientos) | Carmen Amaya, Sabicas | B♭ Minor | 5 | 3A | 122 BPM | ||
| Calle Cañailla | Antonio Rey | E Major | 7 | 12B | 167 BPM | ||
| Ritmos de Paraguay | Sabicas | F Major | 5 | 7B | 108 BPM |