"序曲 お菓子のベルト・コンベヤー" by 井内澄子 had its release date on April 6, 1994. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 湯山 昭 ピアノ曲集 お菓子の世界, so we believe that "序曲 お菓子のベルト・コンベヤー" is a single. In terms of popularity, 序曲 お菓子のベルト・コンベヤー is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 序曲 お菓子のベルト・コンベヤー by 井内澄子 is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonic Etudes, Op. 13: Étude IV (1837) | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | ||
| Le grisbi (From "Touchez pas au grisbi") [Arr. for Piano] | Jean Wiener, Dario Müller | G Minor | 0 | 6A | 67 BPM | ||
| Little Suite for Piano: V. Little Rhapsody | Balys Dvarionas, Vadim Chaimovich | A Major | 1 | 11B | 72 BPM | ||
| ショパン:ピアノ協奏曲第1番 ホ短調 作品11 第1楽章 - 2台ピアノver. | Kai Ichinose, 阿字野壮介 (Piano: 反田恭平) | C Minor | 1 | 5A | 93 BPM | ||
| プレリュード 変ニ長調 作品28-15「雨だれ」 | Kai Ichinose | D♭ Major | 0 | 3B | 65 BPM | ||
| Happy Afternoon Waltz | WOMUSE | C Major | 2 | 8B | 99 BPM | ||
| Mírame | Xoel Massó | G Major | 0 | 9B | 100 BPM | ||
| Producto de sus elecciones | Padre GainsCone | C Minor | 2 | 5A | 100 BPM | ||
| ツェルニー100番 練習曲(上) 15番アレグロ・モデラート | Carl Czerny, John O'Conor | D♭ Major | 2 | 3B | 68 BPM | ||
| Senza Cappello | Punane | F Major | 2 | 7B | 100 BPM | ||
| ショパン:ワルツ第13番 変ニ長調 作品70の3(遺作) | タチアナ・シェバノワ | E Minor | 0 | 9A | 108 BPM | ||
| ADAGIO 2 ~The Sleeping Beauty Rose Adagio Act 1~ - 6/8 8×8 | Shino Takizawa | E♭ Major | 2 | 5B | 110 BPM | ||
| それでも、生きてゆく =希望= reprise | Nobuyuki Tsujii | A Major | 0 | 11B | 58 BPM | ||
| Running Back | Jorisu Kanzaki | C Major | 0 | 8B | 138 BPM | ||
| ワルツエチュード | ウィリアム L ギロック, Yuko Mifune | F Major | 0 | 7B | 64 BPM | ||
| 17 Mozart - Fugue in C minor, K.426 | Mozart, PSMmusic | D Major | 4 | 10B | 140 BPM | ||
| 그래도 괜찮아 | Sunday Piano | B Major | 3 | 1B | 160 BPM | ||
| En Vacances, 1er Recueil: Invocation À Schumann | Déodat de Séverac, Anna Miernik | G Minor | 1 | 6A | 91 BPM | ||
| Persona | Gio Perleud | A Minor | 0 | 8A | 120 BPM | ||
| Souvenir de Florence, Op. 70, TH 118: II. Adagio cantabile e con moto (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| I. Adagio | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Symphony No. 5 in E Minor, Op. 64, TH 29: II. Andante cantabile con alcuna licenza (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| ジュ・トゥ・ヴ(あなたが欲しい) | マリナ・ホワイト | C Minor | 1 | 5A | 103 BPM | ||
| 予言の鳥(「森の情景 作品82」から) | Robert Schumann, 石井琢磨 | B♭ Major | 0 | 6B | 144 BPM | ||
| Francis Poulenc: 3 Pièces, FP 48: III. Toccata | Roberto Giacometti | A Minor | 1 | 8A | 141 BPM |