Clément Ducol's ' "Peter Von Kant - End Credits" was released on its scheduled release date, July 1, 2022. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Peter Von Kant - End Credits's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Peter Von Kant (Bande originale du film)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. In terms of popularity, Peter Von Kant - End Credits is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Peter Von Kant - End Credits by Clément Ducol having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Titles - The Crowded Room | Trevor Gureckis | F Minor | 4 | 4A | 133 BPM | ||
| Sospetti | Paolo Buonvino | E Major | 1 | 12B | 83 BPM | ||
| Dans la rue | Clément Ducol | F Major | 7 | 7B | 114 BPM | ||
| Transatlantic Theme | Mike Ladd, David Sztanke | F Minor | 5 | 4A | 150 BPM | ||
| Kindness (Dream) | Jerskin Fendrix | A Minor | 2 | 8A | 78 BPM | ||
| Capri | Georges Delerue | A Major | 3 | 11B | 90 BPM | ||
| Midnight Storm | Rob Simonsen | B♭ Major | 3 | 6B | 85 BPM | ||
| Under the moonlight | Laurent Dury, ArtSound | E♭ Minor | 2 | 2A | 75 BPM | ||
| Gunpowder | Martin Phipps | E♭ Minor | 1 | 2A | 120 BPM | ||
| Il Treno per la Neve | Nicola Piovani | B Minor | 3 | 10A | 138 BPM | ||
| Octopus | Dickon Hinchliffe | E♭ Minor | 2 | 2A | 180 BPM | ||
| Umami | Albin de la Simone | A Minor | 1 | 8A | 120 BPM | ||
| Snail Sex | John Gürtler, Jan Miserre | F♯ Major | 0 | 2B | 170 BPM | ||
| Glassworks: III. Islands | Signal, Michael Riesman | B♭ Minor | 2 | 3A | 84 BPM | ||
| Cigarette sous la pluie | Forever Pavot | C Minor | 3 | 5A | 167 BPM | ||
| Guitar Forever | Christophe Julien | A Minor | 2 | 8A | 132 BPM | ||
| Rain, in Your Black Eyes (Arr. for flute by Claudio Ferrarini) | Claudio Ferrarini | A Minor | 9 | 8A | 92 BPM | ||
| Talulah's Empty Room | Anton Sanko | G Minor | 1 | 6A | 76 BPM | ||
| Onzième affaire | O - Olivier Marguerit | G Minor | 1 | 6A | 114 BPM | ||
| La fin et le commencement | Mathieu David Gagnon, Flore Laurentienne | G Major | 2 | 9B | 72 BPM | ||
| Aquarius | Fred Dubois | C Major | 3 | 8B | 120 BPM | ||
| Feelings | Baris Kapiyoldas | E Major | 1 | 12B | 83 BPM | ||
| St Leonards To Slough House | Daniel Pemberton, Toydrum | C Minor | 3 | 5A | 108 BPM | ||
| Coming To | Park Jiha | F Major | 0 | 7B | 91 BPM | ||
| Le chalet | Albin de la Simone | B♭ Minor | 2 | 3A | 122 BPM |