"What You Miss Doesn't Exist" by Anna Meredith had its release date on January 19, 2024. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The End We Start From (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. What You Miss Doesn't Exist is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With What You Miss Doesn't Exist by Anna Meredith having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aarhus / Reminiscences | Anne Müller | C Minor | 1 | 5A | 120 BPM | ||
| Hammers | Nils Frahm | B♭ Minor | 5 | 3A | 136 BPM | ||
| Scattered Light | Jane Antonia Cornish, Hamilton Berry | A Major | 2 | 11B | 108 BPM | ||
| Singularity | Jon Hopkins | D♭ Major | 8 | 3B | 133 BPM | ||
| The Ships | Julia Kent | F Major | 0 | 7B | 89 BPM | ||
| Winding and Unwinding | Ben Lukas Boysen, Sebastian Plano | C Minor | 4 | 5A | 69 BPM | ||
| Waterfall | Anna Meredith | B Minor | 1 | 10A | 88 BPM | ||
| Suspirium (Arr. Rimmer) | Jess Gillam, Jess Gillam Ensemble | D♭ Minor | 0 | 12A | 93 BPM | ||
| Piano Piece 1952 - Version 2 | Morton Feldman, Murcof, Vanessa Wagner | D♭ Major | 3 | 3B | 63 BPM | ||
| Sullen Sonata | A Winged Victory for the Sullen, Adam Bryanbaum Wiltzie, Dustin O'Halloran | F Major | 1 | 7B | 88 BPM | ||
| Aliens with Extraordinary Abilities: Torched and Wrecked | David Skidmore, Third Coast Percussion | F Minor | 8 | 4A | 155 BPM | ||
| II. Warmth | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Laurie Anderson, Ashok Klouda | E♭ Minor | 0 | 2A | 111 BPM | ||
| The Arched Window | Mark Pritchard | F Minor | 6 | 4A | 75 BPM | ||
| Occasionally Scared | Atticus Ross, Leopold Ross, Claudia Sarne | E♭ Major | 2 | 5B | 120 BPM | ||
| Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM | ||
| Part V | Flor, Emmanuelle Parrenin | C Minor | 3 | 5A | 95 BPM | ||
| The Universe Wakes Up | The Comet Is Coming | D♭ Major | 5 | 3B | 85 BPM | ||
| Electric Counterpoint: III. Fast | Steve Reich, Mats Bergström | E Minor | 5 | 9A | 193 BPM | ||
| #2 | Nils Frahm | B♭ Minor | 8 | 3A | 101 BPM | ||
| Expand | CHLOE (Thévenin) | C Minor | 3 | 5A | 95 BPM | ||
| Pulsing | Bryce Dessner, Australian String Quartet, Sydney Dance Company | G Minor | 4 | 6A | 126 BPM | ||
| The Universe Before Matter | Hannah Peel & Paraorchestra | E Minor | 4 | 9A | 104 BPM | ||
| Looking Back To Self Awareness | Roger Goula | C Major | 1 | 8B | 110 BPM | ||
| Soma Centre | Ishmael Ensemble | F♯ Major | 6 | 2B | 115 BPM | ||
| Memory of Blue | Elori Saxl | A Minor | 3 | 8A | 96 BPM |