Pandit Jasraj, Kumari Shweta Pandit's 'Commentary On Shree Sukt' had a release date set for March 28, 2001. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Commentary On Shree Sukt's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pandit Jasraj, Kumari Shweta Pandit's "Mahalakshmi" album is number 7 out of 10. Commentary On Shree Sukt is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Commentary On Shree Sukt by Pandit Jasraj, Kumari Shweta Pandit to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Introduction to Morning Shlokas | Harish Bhimani | D♭ Major | 4 | 3B | 156 BPM | ||
| Om Namah Parvati Pataye Har Har Mahadev | Jeet Ojha | G Major | 1 | 9B | 151 BPM | ||
| Chandrashekhara Saishwara | Sri Sathya Sai Bhajans | A Minor | 7 | 8A | 92 BPM | ||
| Shiva Panchakshara Stotram | Vallari Ambekar, Shri Vivek Godbole, Inner Splendor | D Major | 2 | 10B | 141 BPM | ||
| Shiv Song | Soniyaa Bhattacharya | E Minor | 7 | 9A | 150 BPM | ||
| Saraswati Vandana | Jeet Ojha | C Major | 5 | 8B | 160 BPM | ||
| Chapter 7 - Knowledge Of The Absolute - Shlokas 4,7,8,10,16,17,21,26 | S. P. Balasubrahmanyam, Harish Bhimani | A Major | 3 | 11B | 109 BPM | ||
| Mahakaali Dhyana Mantra | Harish Bhimani, Veena Sahasrabuddhe | E Major | 1 | 12B | 78 BPM | ||
| Shree dattatreya stotram | Vaibhavi Shrikant Shete | D Major | 3 | 10B | 66 BPM | ||
| Shiva Tandava | Vallari Ambekar, Shri Vivek Godbole, Inner Splendor | C Major | 3 | 8B | 97 BPM | ||
| Je Anilo Premo Dhana | Kirtan Lounge, Agnideva Das, Bada Haridas | G Major | 5 | 9B | 80 BPM | ||
| Introduction to Shivoham | Harish Bhimani | A♭ Minor | 2 | 1A | 163 BPM | ||
| Om Hreem Namaha 108 Times (Bhuvneshvari Mantra) | Manjeera Ganguly | F Minor | 0 | 4A | 182 BPM | ||
| Keelakam | Inner Splendor, Vedika Godbole | G Major | 3 | 9B | 85 BPM | ||
| Om Hanu Hanumate Namah | Vivek Prakash | D♭ Major | 3 | 3B | 86 BPM | ||
| Mahalakshmyashtaka Stotra | Jaishree Aravind, K.S. Surekha | F Major | 2 | 7B | 139 BPM | ||
| Jaya Radhe Jaya Krishna | Swarup Damodar Prabhu | E♭ Major | 3 | 5B | 170 BPM | ||
| Guru Arti | Jagadguru Shri Kripalu Ji Maharaj, Grace Lewis | F♯ Minor | 6 | 11A | 174 BPM | ||
| Earth Peace Prayer | Shubhraji | F Major | 2 | 7B | 134 BPM | ||
| Sri Laxmi Sukta | Tejeswini Ingle | A Major | 6 | 11B | 80 BPM | ||
| Hanuman Chalisa - Chant | Babeena Sharma | D♭ Minor | 3 | 12A | 98 BPM | ||
| Karaneey Mettsuttan | Surykirti | F Minor | 2 | 4A | 88 BPM | ||
| Bilvashtakam | श्री बिल्वाष्टकम् | Hari cassettes | B♭ Major | 3 | 6B | 105 BPM | ||
| Commentary (Shivamanas Pooja) | Harish Bhimani | F Major | 7 | 7B | 146 BPM | ||
| Jap | Pramod Medhi | C Major | 5 | 8B | 88 BPM |