Raphaël Imbert, Joe Martin, Gerard Cleaver's 'NYC Breakdown Calling' had a release date set for 2006. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Raphaël Imbert's "Imbert: Projects" album is number 8 out of 43. On top of that, France appears to be the country where this track was created. NYC Breakdown Calling is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of NYC Breakdown Calling by Raphaël Imbert, Joe Martin, Gerard Cleaver to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mozart | Jesper Skogsrund | D Minor | 1 | 7A | 93 BPM | ||
| Messenger | Yuri Honing Acoustic Quartet, Wolfert Brederode, Joost Lijbaart, Gulli Gudmundsson, Yuri Honing | B♭ Minor | 4 | 3A | 114 BPM | ||
| Free | Roberto Fonseca, Vincent Segal | B Minor | 3 | 10A | 69 BPM | ||
| El Español | Las Hermanas Caronni | D Minor | 2 | 7A | 140 BPM | ||
| Song after Ada Karlsson | Christopher Dominique | F Major | 3 | 7B | 76 BPM | ||
| Mirrors | Shai Maestro | E♭ Minor | 0 | 2A | 134 BPM | ||
| La Strada | Erik Truffaz | C Major | 6 | 8B | 145 BPM | ||
| L'Espagne pour mémoire | Michel Portal | G Minor | 1 | 6A | 46 BPM | ||
| O salutaris hostia | Jan Garbarek, Pierre de la Rue, The Hilliard Ensemble | C Major | 1 | 8B | 89 BPM | ||
| Korona Solitude #1 | David Helbock, Arne Jansen, Studnitzky | E Minor | 0 | 9A | 123 BPM | ||
| I Remember Clifford | David Helbock, Arne Jansen, Studnitzky | G Major | 0 | 9B | 122 BPM | ||
| The Walk | André Manoukian | D Major | 1 | 10B | 91 BPM | ||
| Opening Day | Anouar Brahem, Dave Holland, Jack DeJohnette, Django Bates | G Minor | 1 | 6A | 115 BPM | ||
| Leipzig counterpoint | Raphaël Imbert, Karol Beffa | A♭ Major | 1 | 4B | 136 BPM | ||
| A | Nik Bärtsch | C Minor | 1 | 5A | 174 BPM | ||
| What Arms Are These for You! (Vanessa Wagner Version) | Vanessa Wagner | A♭ Major | 1 | 4B | 68 BPM | ||
| Samares | Rabbath Electric Orchestra, François Rabbath, HabibiSly, Raphaël Imbert, Minino Garay | C Minor | 7 | 5A | 90 BPM | ||
| Where's Mo? | Anne Vanschothorst, Saskia Laroo | E♭ Minor | 0 | 2A | 131 BPM | ||
| The Fence, the Rooftop, and the Distant Sea: V. Epilogue | Kinan Azmeh, Yo-Yo Ma | C Major | 0 | 8B | 105 BPM | ||
| Aba (For Gil Maestro) | Shai Maestro | C Major | 2 | 8B | 101 BPM | ||
| La Mi Re | Thomas Preston, David Orlowsky, David Bergmüller | F Minor | 0 | 4A | 173 BPM | ||
| Adèle | Wajdi Riahi, Pierre Hurty, Basile Rahola | B♭ Minor | 2 | 3A | 89 BPM | ||
| Oraison | Raphaël Imbert, Vincent Lafont, Pierre Fenichel, Mourad Benhammou | E♭ Major | 2 | 5B | 81 BPM | ||
| Wind, Dust, and Memory | Scott Tixier | D Major | 6 | 10B | 67 BPM | ||
| aKa 466 | Aka Moon, Fabian Fiorini | F Minor | 5 | 4A | 125 BPM |