On December 31, 1949, the song "Vanin Mathi Pol" was released by K. V. Janaki, Kannadasan. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Vanin Mathi Pol's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in C. R. Subburaman, M.S.Subbaiah Naidu, Kannadasan's "Kanniyin Kathali (Original Motion Picture Soundtrack)" album is number 6 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Vanin Mathi Pol's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Vanin Mathi Pol by K. V. Janaki, Kannadasan to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chirai Paavai Amma | K. V. Janaki, Kannadasan | F♯ Major | 6 | 2B | 175 BPM | ||
| Aarikambedu Ammanuku | Krishnaraj | G Major | 7 | 9B | 144 BPM | ||
| Pani Illaatha - Instrumental - Aananda Jothi | Revathy Krishna | G Major | 3 | 9B | 150 BPM | ||
| O Nagor Koiya Jao | Gostho Gopal Das | F Major | 5 | 7B | 112 BPM | ||
| Kettathaiyellam | Keyboard Suresh, S.Lawrance, Vyasar S Lawrance | D Minor | 7 | 7A | 90 BPM | ||
| Yenniyadhu | Pushpavanam Kuppusamy | A♭ Major | 6 | 4B | 187 BPM | ||
| Nati Amago Bari Jaio | Gostho Gopal Das | F Major | 5 | 7B | 112 BPM | ||
| Ellam Inbamayam | M. L. Vasanthakumari, P. Leela, U. Narayana Kavi | D Major | 7 | 10B | 179 BPM | ||
| Ennaiyanri Unnodu | Shankar - Ganesh, Vaali, Vani Jairam | C Major | 3 | 8B | 138 BPM | ||
| Raa Kuyile | S. P. Balasubrahmanyam, S.P. Shailaja, Hamsalekha, R. V. Udayakumar | C Minor | 6 | 5A | 82 BPM | ||
| Vanga Ellorumey | Nagore E.M. Haniffa | F♯ Major | 7 | 2B | 116 BPM | ||
| Appappa Naan Appan | T. M. Soundararajan | D♭ Major | 7 | 3B | 78 BPM | ||
| Thooguve Rangana | P. B. Sreenivas | D Major | 2 | 10B | 147 BPM | ||
| Raghuvamsa - Ragam Kadanakutuhalam - Talam Adi | Maharajapuram Santhanam, Maharajapuram S. Srinivasan, Nagai R. Muralidharan, Vellore G. Ramabhadran | B♭ Minor | 5 | 3A | 92 BPM | ||
| Swamiye Ayyappa | K. V. Mahadevan, S. P. Balasubrahmanyam | A Minor | 5 | 8A | 143 BPM | ||
| Adikkira Kaithan | Thiruchi Loganathan, P. Susheela, A Maruthakasi | E♭ Major | 2 | 5B | 126 BPM | ||
| Ongi Ulagalarntha | Bombay Sisters, Traditional | D♭ Major | 7 | 3B | 164 BPM | ||
| Viduthalai | S. Sowmya | B♭ Minor | 5 | 3A | 138 BPM | ||
| Nenjuporukkuthilliaiye | C. S. Jayaraman | D Major | 3 | 10B | 110 BPM | ||
| Oruvar Oruvaraai Pirandhom | T. M. Soundararajan, L. R. Eswari | A♭ Major | 3 | 4B | 91 BPM | ||
| Kadhalennum | P. Susheela | D Major | 6 | 10B | 157 BPM | ||
| Nadhiye | M. M. Mariyappa, K. V. Janaki, C. A. Lakshman Das | D♭ Major | 5 | 3B | 73 BPM | ||
| Om Makaali (From "Soolam") | Anuradha Sriram, Mugilan | B Minor | 8 | 10A | 134 BPM | ||
| Kathavai Thiradi Bama | Malaysia Vasudevan, Chidambaranathan | A♭ Major | 4 | 4B | 101 BPM | ||
| Aathu Vellam | A. L. Raghavan, L. R. Eswari | G Major | 4 | 9B | 63 BPM |