On October 12, 2011, the song "Last Shanty" was released by Tom Lewis, Qftry. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Song Goes On (Poles Part Too)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Last Shanty's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Last Shanty by Tom Lewis, Qftry having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Port Damali (A Critical Role Inspired Sea Shanty) | R. Morgan Slade | G Major | 3 | 9B | 178 BPM | ||
| Johnny Come Down To Hilo | The Longest Johns | E Major | 6 | 12B | 125 BPM | ||
| The Rising Of The Moon | The High Kings | D Major | 7 | 10B | 111 BPM | ||
| The Pirate Shanty | Worldwide Adventurers | E Minor | 6 | 9A | 105 BPM | ||
| Through The Storm | The O'Reillys and the Paddyhats | A Major | 9 | 11B | 134 BPM | ||
| La Paimpolaise | Tom Lewis, Felicia Dale, William Pint | F Major | 2 | 7B | 126 BPM | ||
| Nassau Bound | Tom Lewis | E Minor | 4 | 9A | 125 BPM | ||
| Sail on Jimmy | Drops of Green | A♭ Major | 8 | 4B | 106 BPM | ||
| Thank God for Taxes | Martin Kerr | D Major | 6 | 10B | 94 BPM | ||
| The Red Violin | Brad Tuck | D Major | 8 | 10B | 110 BPM | ||
| Sailor Ain't A Sailor | Friends Of The Shipyard and Fisherman's Fayre | D Major | 7 | 10B | 125 BPM | ||
| Marchin' Inland [with Perły i Łotry Shanghaju & Qftry] | Poles Apart, Tom Lewis | E Major | 0 | 12B | 133 BPM | ||
| Make it Yo-Ho! | Neural Derp | D Minor | 7 | 7A | 105 BPM | ||
| Oró Sé Do Bheatha 'Bhaile | Seth Staton Watkins | C Major | 5 | 8B | 100 BPM | ||
| Don't Forget Your Old Shipmate | Jerry Bryant, Starboard Mess | D♭ Major | 1 | 3B | 174 BPM | ||
| Paddle Me Own Canoe | Waxies Dargle | G Major | 7 | 9B | 138 BPM | ||
| Arrival of the Dwarves | The Medieval Inn | G Major | 8 | 9B | 144 BPM | ||
| Roll Alabama, Roll | Duck Pond Sailors | F Major | 1 | 7B | 81 BPM | ||
| Stella By Starlight | Jay Epstein, Phil Aaron, Tom Lewis | B♭ Major | 1 | 6B | 76 BPM | ||
| Marching in Their Footsteps | One Irish | D Major | 8 | 10B | 109 BPM | ||
| Cooper's Rum | Ye Banished Privateers | A Minor | 7 | 8A | 86 BPM | ||
| The Bonny Ship The Diamond | Todd Menton | D♭ Major | 5 | 3B | 114 BPM | ||
| Scotland For Ever (Scotland The Brave) | John McDermott | F Major | 5 | 7B | 108 BPM | ||
| Johnny Home | Musical Blades | F Minor | 8 | 4A | 179 BPM | ||
| The Weight Of Words | The Town Pants | D Major | 8 | 10B | 136 BPM |