Arthur Conley & The Sweaters, Arthur Conley, The Sweaters's ' "A Change Is Gonna Come" was released on its scheduled release date, January 1, 2007. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Recorded Live In Amsterdam". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. A Change Is Gonna Come is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With A Change Is Gonna Come by Arthur Conley & The Sweaters, Arthur Conley, The Sweaters having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Got Me Singing | Eddie Hinton | A♭ Major | 8 | 4B | 105 BPM | ||
| Mean Old World | Chuck Berry | A Major | 4 | 11B | 161 BPM | ||
| Tears on the Synth Keys | Young Voltage | E Minor | 8 | 9A | 117 BPM | ||
| Open The Door To Your Heart | Tyrone Davis | C Major | 8 | 8B | 124 BPM | ||
| At The End Of The Day | Jay-Bee & The Ultratone All-Stars | G Major | 5 | 9B | 105 BPM | ||
| Funky Street | Arthur Conley | G Major | 9 | 9B | 150 BPM | ||
| Walk Around | Pedro J Ludwig | E Minor | 8 | 9A | 117 BPM | ||
| Mini-Skirt Minnie | Sir Mack Rice | B♭ Major | 6 | 6B | 118 BPM | ||
| She Said Yeah | Larry Williams | F Major | 6 | 7B | 91 BPM | ||
| A Tribute to a King | William Bell | D♭ Major | 4 | 3B | 158 BPM | ||
| The Right Time | Nappy Brown | E♭ Major | 7 | 5B | 105 BPM | ||
| Respect - Live / Set 2 / Sunday, April 10, 1966 | Otis Redding | A♭ Major | 8 | 4B | 124 BPM | ||
| Love Minus Zero / No Limits - Bonus Track | Leon Russell | G Major | 6 | 9B | 109 BPM | ||
| See You Later Alligator | Bobby Charles | F Major | 8 | 7B | 156 BPM | ||
| Just Because | Larry Williams | E♭ Major | 4 | 5B | 112 BPM | ||
| Three Time Loser | Wilson Pickett | A♭ Major | 3 | 4B | 120 BPM | ||
| ハイヤー・アンド・ハイヤー | Jackie Wilson | D Major | 7 | 10B | 95 BPM | ||
| As Long As I Don't Have To See You | Little Johnny Taylor | D♭ Major | 6 | 3B | 101 BPM | ||
| I'm Just Not Ready For Love | Erma Franklin | D Major | 9 | 10B | 90 BPM | ||
| Show Me | Joe Tex | E Major | 8 | 12B | 146 BPM | ||
| Ain't Nobody Home | Howard Tate | D Major | 6 | 10B | 96 BPM | ||
| Recuerdo Tu Perfume | Aru Kunturina | A♭ Major | 8 | 4B | 80 BPM | ||
| Devil With The Blue Dress | Shorty Long | E♭ Major | 5 | 5B | 106 BPM | ||
| Emotions | The Impressions | B Major | 4 | 1B | 149 BPM | ||
| It Ain't What You Do (But How You Do It) | Laura Lee | F Minor | 5 | 4A | 112 BPM |