Phil Ranelin's ' "He The One We All Knew, Pt. 1" was released on its scheduled release date, January 18, 1974. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. He The One We All Knew, Pt. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 6 in the song's album "The Time Is Now!". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of He The One We All Knew, Pt. 1 is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With He The One We All Knew, Pt. 1 by Phil Ranelin having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come On, Home! | Phil Ranelin | A♭ Major | 5 | 4B | 116 BPM | ||
| Tuesday Heartbreak | Ronnie Foster | F Minor | 7 | 4A | 154 BPM | ||
| Brotherhood | Kamal Abdul Alim | F Minor | 7 | 4A | 107 BPM | ||
| Polarizer | Joe Thomas | G Minor | 5 | 6A | 98 BPM | ||
| Blues Farm | Ron Carter | D Major | 6 | 10B | 164 BPM | ||
| Moon Hymn | Idris Muhammad | G Minor | 4 | 6A | 151 BPM | ||
| Sand Storm | Pete Jolly | G Major | 2 | 9B | 106 BPM | ||
| Prairie Road | Pete Jolly | B♭ Minor | 4 | 3A | 98 BPM | ||
| Travelin' Man | Stanley Cowell | A Minor | 2 | 8A | 116 BPM | ||
| One for Johnson | Phil Ranelin | D♭ Major | 5 | 3B | 124 BPM | ||
| Soft Wind | Gary Pacific Orchestra | G Minor | 4 | 6A | 98 BPM | ||
| Don't Be Cool | Jacky Giordano | F Minor | 4 | 4A | 96 BPM | ||
| Metropolitan Blues | Phil Ranelin, Wendell Harrison, Adrian Younge, Ali Shaheed Muhammad | B♭ Minor | 10 | 3A | 117 BPM | ||
| Plastic Creek Stomp | Henry Franklin | G Major | 3 | 9B | 122 BPM | ||
| Cosmos: Fire 3 (feat. Phil Ranelin & Tim Felten) | Jason McGuiness, Phil Ranelin, Tim Felten | B♭ Major | 4 | 6B | 92 BPM | ||
| You Follow Me | James Moody | B♭ Minor | 4 | 3A | 91 BPM | ||
| Seasons | Pete Jolly | E Minor | 3 | 9A | 95 BPM | ||
| A Close Encounter of the Very Best Kind | Phil Ranelin | F Major | 5 | 7B | 94 BPM | ||
| Everything Counts | David Axelrod | F Major | 5 | 7B | 152 BPM | ||
| Soulsides | Art Farmer | F Major | 3 | 7B | 78 BPM | ||
| Black Renaissance | Harry Whitaker | F Minor | 6 | 4A | 91 BPM | ||
| Get Down | Gene Russell | F Minor | 4 | 4A | 170 BPM | ||
| Gee-Gee | Calvin Keys | A Minor | 4 | 8A | 169 BPM | ||
| Blue Jungles | Gary Bartz, Adrian Younge, Ali Shaheed Muhammad | D♭ Major | 7 | 3B | 119 BPM | ||
| Uhuru Sasa | Gary Bartz Ntu Troop | D Major | 7 | 10B | 133 BPM |