"So ys emprinted" by Walter Frye, Christopher Page, Christopher Wilson had its release date on March 1, 1987. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. So ys emprinted's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Castle of Fair Welcome: Courtly Songs of the Later 15th Century". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. So ys emprinted is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With So ys emprinted by Walter Frye, Christopher Page, Christopher Wilson having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Par mantes foys | Jehan Vaillant, La Reverdie | A Minor | 1 | 8A | 121 BPM | ||
| Nowell Sing We | Piffaro | D Major | 3 | 10B | 67 BPM | ||
| Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | ||
| Now Is the gentle season | Thomas Morley, Joculatores Upsalienses | F Major | 0 | 7B | 75 BPM | ||
| Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
| "Minnesang" | New York's Ensemble For Early Music | D Minor | 1 | 7A | 112 BPM | ||
| Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM | ||
| Der Schwan | Diederik van der Laag, Sophia Chamber Choir, Oleksii Shamrytskyi | F Minor | 1 | 4A | 73 BPM | ||
| Missa Flos regalis: II. Credo | Walter Frye, Andrew Kirkman, The Binchois Consort | G Minor | 1 | 6A | 79 BPM | ||
| Missa Myn hert: Kyrie | Mathieu Gascongne, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 68 BPM | ||
| Tousjours | Ensemble Project Ars Nova | G Major | 0 | 9B | 74 BPM | ||
| Haec Dies | Magister Leoninus, Huelgas Ensemble, Paul Van Nevel | B Major | 1 | 1B | 74 BPM | ||
| Salve Sanctus Parens | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | C Major | 2 | 8B | 144 BPM | ||
| Votive antiphon: Ave regina celorum | Walter Frye, Orlando Consort | B♭ Major | 1 | 6B | 69 BPM | ||
| In I Vesperis: Antiphona. Ex quo omnia | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| So ys emprentid | Walter Frye, Ensemble belladonna, Susanne Ansorg, Miriam Andersén, Rebecca Bain | A Minor | 0 | 8A | 77 BPM | ||
| Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
| Early 17th Century Dances from Terpsichore: Three Voltas | Michael Praetorius, Calliope - A Renaissance Band | G Major | 1 | 9B | 107 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | B Major | 1 | 1B | 74 BPM | ||
| Cantigas de Santa Maria: Non Pod' Ome Pela Virgen | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | G Major | 1 | 9B | 69 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| O pulcherrima mulierum a 5 | Jacques Arcadelt, Chœur De Chambre De Namur, Leonardo García-Alarcón, Adrià Gracia | B♭ Minor | 1 | 3A | 81 BPM | ||
| Passe and Medio / Den iersten gaillarde | Tylman Susato, Capilla Flamenca | G Minor | 1 | 6A | 97 BPM | ||
| Recercada Ruggero | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 175 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM |