Kishore Kumar's ' "Raahi Tha Main Awara" was released on its scheduled release date, October 10, 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Saheb Bahadur". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Raahi Tha Main Awara is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Raahi Tha Main Awara by Kishore Kumar having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ding Dong O Baby Sing | Anuradha Paudwal, Manhar Udhas, Laxmikant–Pyarelal | A Major | 8 | 11B | 94 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Kaisa Jadoo Balam Tune Daara (From "12 O'Clock") | Geeta Dutt | D♭ Minor | 5 | 12A | 161 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM | ||
| Yeh Shaam Mastani | Abhijeet, Kishore Kumar | A Major | 5 | 11B | 121 BPM | ||
| Mukhda Dekh Le Prani Zara | Pradeep Kumar | E♭ Minor | 3 | 2A | 114 BPM | ||
| Gaadi Aati Hai | Suresh Wadkar, Kamlesh Avasthi, Laxmikant–Pyarelal | A♭ Major | 7 | 4B | 93 BPM | ||
| Mann Kare Yaad Woh Din | Salil Chowdhury, Kishore Kumar | C Major | 5 | 8B | 140 BPM | ||
| Zuban Pe Dard Bhari Dastan | Mukesh | D Minor | 4 | 7A | 104 BPM | ||
| Main Pyasa Tum Sawan - From "Faraar" | Kishore Kumar | F Minor | 7 | 4A | 169 BPM | ||
| Khuda Kare Ki Mohabbat Mein | Talat Aziz | D Minor | 6 | 7A | 111 BPM | ||
| Tere Chehre Mein Woh Jadoo Hai (Jhankar Beats) | DJ SNB IND, Creative Academy, Kishore Kumar | A♭ Major | 8 | 4B | 85 BPM | ||
| Manzilen Apni Jagah Hai | Kishore Kumar | E Minor | 6 | 9A | 139 BPM | ||
| Bhali Bhali Si Ek Surat (From "Buddha Mil Gaya") | Asha Bhosle, Kishore Kumar | B Major | 8 | 1B | 94 BPM | ||
| Achhi Nahin Sanam Dillagi | Asha Bhosle, Kishore Kumar, R. D. Burman | A♭ Major | 8 | 4B | 133 BPM | ||
| Mere Diwanepan Ki Bhi Dawa Nahin | Kishore Kumar, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 87 BPM | ||
| Where Is The Time To Hate | Preeti Uttam, Udit Narayan | F Major | 6 | 7B | 86 BPM | ||
| Dil Mera Ek Aas Ka Panchhi | Subir Sen | A♭ Major | 6 | 4B | 104 BPM | ||
| Yun Hi Dil Ne Chaha Tha | Suman Kalyanpur | C Minor | 3 | 5A | 137 BPM | ||
| Gunche Lage Hain Kahne | Shailendra Singh | A Minor | 4 | 8A | 75 BPM | ||
| Aage Sukh To Peeche Dukh Hai | Nitin Mukesh, Kavita Krishnamurthy | E♭ Minor | 6 | 2A | 149 BPM | ||
| Bekhudi Ka Bada Sahara Hai | S. P. Balasubrahmanyam, Laxmikant–Pyarelal | F♯ Major | 5 | 2B | 101 BPM | ||
| So Gaya Yeh Jahan | Nitin Mukesh, Alka Yagnik, Shabbir Kumar | E Major | 5 | 12B | 142 BPM |