I's 'The Roots' had a release date set for March 1, 2013. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Lola Riddim" album is number 6 out of 14. On top of that, Italy appears to be the country where this track was created. Based on our statistics, The Roots's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Roots by I to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Turn Out the Party (feat. N.O.L.I.E, N, O, L, I & E) | N.O.L.I.E, L, O - Olivier Marguerit, E, I, N | A♭ Major | 3 | 4B | 60 BPM | ||
| エイント・シー・スウィート(映画「ミッドナイト・イン・パリ」から) | The Starlite Orchestra & Singers | C Minor | 8 | 5A | 108 BPM | ||
| Wichita Windstorm | Charlie Barnet | C Minor | 5 | 5A | 96 BPM | ||
| Shipyard Ramble | Erskine Hawkins | C Minor | 5 | 5A | 96 BPM | ||
| Jitter Joe | Girls from Mars | A Minor | 4 | 8A | 97 BPM | ||
| So Nice (feat. Tamar Korn) | Professor Cunningham And His Old School, Tamar Korn | C Major | 3 | 8B | 140 BPM | ||
| I'm Gonna Charleston Back to Charleston | The Original Coon-Sanders Nighthawk Orchestra | D Major | 3 | 10B | 215 BPM | ||
| Sausage Rock | Four Charms | A♭ Major | 6 | 4B | 104 BPM | ||
| Play Me a Frigid Air | Sid Peltyn and His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| The Beaver Bump | Glenn Crytzer | A Minor | 4 | 8A | 119 BPM | ||
| The Northwest Passage | Woody Herman & His Orchestra | E♭ Major | 6 | 5B | 136 BPM | ||
| The Wedding Samba | Bob Crosby & The Bob Cats | C Major | 3 | 8B | 179 BPM | ||
| My Regular Girl | Ben Silvin & His Orchestra | G Major | 2 | 9B | 102 BPM | ||
| Strip-Tease | Lemongrass | C Minor | 3 | 5A | 186 BPM | ||
| The Blacksmith Blues | Ella Mae Morse | B♭ Major | 4 | 6B | 127 BPM | ||
| The Bogus Man | The Bryan Ferry Orchestra | G Minor | 1 | 6A | 94 BPM | ||
| Too Good To Be True | Benny Goodman Trio | B♭ Major | 2 | 6B | 79 BPM | ||
| Basin Street Blues | Connee Boswell | E♭ Major | 1 | 5B | 103 BPM | ||
| Graveyard Dream Blues | Bessie Smith | C Minor | 5 | 5A | 96 BPM | ||
| Me and You | Ivie Anderson, The Duke & Beyond | D Minor | 4 | 7A | 97 BPM | ||
| When The Sun Goes Down In Harlem | Harlem Hamfats | A♭ Major | 5 | 4B | 180 BPM | ||
| How I Is (feat. I) | Knocklife, I | F Minor | 8 | 4A | 97 BPM | ||
| Four or Five Times | Four | F Major | 3 | 7B | 140 BPM | ||
| Shorty George | George Gee And The Jump Jivin' Wailers | D♭ Major | 4 | 3B | 202 BPM | ||
| Swingin' On Nothing | Hep Chaps | G Minor | 4 | 6A | 97 BPM |