Tab Smith's ' "Hurricane T" was released on its scheduled release date, August 17, 2004. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Hurricane T's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 24 in Crazy Walk by Tab Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Hurricane T is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hurricane T by Tab Smith is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Maid's Night Off | Hudson Delange Orchestra | B♭ Minor | 3 | 3A | 172 BPM | ||
| Wherever There's Love (There's You and I) | Eddie Condon | A♭ Major | 1 | 4B | 105 BPM | ||
| Baby, Won't You Please Come Home | Jimmie Lunceford | F Major | 4 | 7B | 171 BPM | ||
| Don't Get Around Much Any More | Duke Ellington Orchestra | F Minor | 2 | 4A | 89 BPM | ||
| Let's Get Together | Duke Ellington Orchestra | F Major | 6 | 7B | 89 BPM | ||
| Nevertheless | Pat Flowers | C Minor | 2 | 5A | 97 BPM | ||
| Mess Hall Matinee - 1944 Version | Raymond Scott | G Minor | 4 | 6A | 136 BPM | ||
| Back Room Romp | Rex Stewart & His Fifty-Second Street Stompers | A♭ Major | 3 | 4B | 153 BPM | ||
| Dee Jay Special | Tab Smith | B♭ Major | 3 | 6B | 185 BPM | ||
| Mary's Idea | Umlaut Big Band, Pierre-Antoine Badaroux | F Major | 3 | 7B | 117 BPM | ||
| In a Sentimental Mood | Jimmy Dorsey & His Orchestra | C Minor | 7 | 5A | 120 BPM | ||
| Four Or Five Times | Jimmie Lunceford | C Minor | 7 | 5A | 120 BPM | ||
| A Viper's Moan (01-04-35) | Willie Bryant | D♭ Major | 4 | 3B | 75 BPM | ||
| 627 Stomp (11-11-40) | Pete Johnson | B Major | 5 | 1B | 156 BPM | ||
| Where Desire Overflows | A Jazz Story | C Minor | 7 | 5A | 120 BPM | ||
| You Mean So Much to Me | Lil Armstrong | B♭ Major | 6 | 6B | 116 BPM | ||
| Baubles, Bangles and Beads | The Jonah Jones Quartet | A♭ Major | 5 | 4B | 164 BPM | ||
| Some Of These Day | Doctor Dixie Jazz Band | F♯ Minor | 4 | 11A | 109 BPM | ||
| Verde botella rota | Cromatica nocturna | G Minor | 2 | 6A | 110 BPM | ||
| Ow! | Lucky Millinder | D♭ Major | 8 | 3B | 122 BPM | ||
| Let Me Off Uptown | Anita O'Day | F Minor | 3 | 4A | 154 BPM | ||
| Wail Of The Scromph | Gene Sedric, Al Casey | A♭ Major | 2 | 4B | 86 BPM | ||
| Topsy Turvy | Cab Calloway | E♭ Major | 4 | 5B | 173 BPM | ||
| Nursery Rhyme Jump | Tab Smith | B♭ Major | 5 | 6B | 111 BPM | ||
| Anatole | Don Byas | G Minor | 2 | 6A | 136 BPM |