On July 8, 2014, the song "Whatever We Started" was released by Richard Marx. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 11 in Beautiful Goodbye by Richard Marx. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Whatever We Started is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Whatever We Started by Richard Marx is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Straight From The Heart | Bryan Adams | A Major | 4 | 11B | 72 BPM | ||
| Broken Wings - Single Version | Mr. Mister | D♭ Minor | 7 | 12A | 98 BPM | ||
| Sorry Seems To Be The Hardest Word (feat. Richard Marx) | Kenny G, Richard Marx | G Minor | 4 | 6A | 120 BPM | ||
| Holyground | a-ha | A Major | 8 | 11B | 130 BPM | ||
| Seven Years Gone | Richie Sambora | E♭ Major | 8 | 5B | 172 BPM | ||
| Set the Night to Music | Starship | F♯ Major | 5 | 2B | 128 BPM | ||
| The Way It Should Be | The Outfield | F Major | 4 | 7B | 102 BPM | ||
| Something About You - 7" Version | Level 42 | A Major | 5 | 11B | 140 BPM | ||
| Don't Hold Back Your Love | Daryl Hall & John Oates | G Major | 5 | 9B | 113 BPM | ||
| Inside Out | Bryan Adams | C Major | 5 | 8B | 90 BPM | ||
| Hearts Collide | gran Crystal Voyage | F Minor | 8 | 4A | 118 BPM | ||
| Tomorrow Doesn't Matter Tonight | Starship | F Minor | 9 | 4A | 103 BPM | ||
| In All the Right Places | Lisa Stansfield | D♭ Minor | 6 | 12A | 90 BPM | ||
| Second Chance | 38 Special | B♭ Major | 4 | 6B | 119 BPM | ||
| Let Me Dream | Work Of Art | A♭ Minor | 6 | 1A | 108 BPM | ||
| Rescued (By The Arms Of Love) | Glass Tiger | D Major | 6 | 10B | 144 BPM | ||
| Shelter Me | The Outfield | C Major | 4 | 8B | 95 BPM | ||
| Goodnight Song | Tears For Fears | C Major | 8 | 8B | 124 BPM | ||
| Better Off Alone | Sissel | E Major | 7 | 12B | 170 BPM | ||
| I Still Look for You | Mister Cryptic | C Major | 4 | 8B | 151 BPM | ||
| Skyline | Benjamin Orr | D♭ Major | 8 | 3B | 124 BPM | ||
| Half The World | Belinda Carlisle | F♯ Major | 4 | 2B | 109 BPM | ||
| Wherever Would I Be | Cheap Trick | G Major | 5 | 9B | 74 BPM | ||
| If I Don't Have You | Lou Gramm | B Minor | 5 | 10A | 103 BPM | ||
| What There Is | a-ha | E Minor | 9 | 9A | 108 BPM |