On 2016, the song "Main Toh Re Manava Mhari" was released by Kishore Paliwal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 7 in Aai Mata Ri Chundari by Kishore Paliwal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Main Toh Re Manava Mhari is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Main Toh Re Manava Mhari by Kishore Paliwal is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahari Khimaj Maa | Kishore Paliwal, Harsh Mali | F♯ Major | 8 | 2B | 90 BPM | ||
| Marwar Ro Veer Baniyo | Kishore Paliwal | C Minor | 8 | 5A | 100 BPM | ||
| Aaj Jo Thokad Maar Rhe Hain | Raj Pareek | F♯ Major | 9 | 2B | 106 BPM | ||
| Minakh Jamaro Anmol | Tulchharam Bhangawa | A♭ Minor | 10 | 1A | 115 BPM | ||
| Tamne Didhu Che Maru Dil | Gopal Bharwad | F♯ Minor | 6 | 11A | 141 BPM | ||
| Purv Janm Ka Bhag Khuliya | Jalal Khan | D Major | 10 | 10B | 130 BPM | ||
| gunti khole ne bare kad binjara | Anita Jangid | A♭ Major | 9 | 4B | 106 BPM | ||
| Thakar Na That (Tulsi Vivah Special) | Rinku Bharwad | E Major | 8 | 12B | 180 BPM | ||
| Govalan Gheli Kidhi Re | Babu Ahir | B♭ Minor | 10 | 3A | 90 BPM | ||
| Mhare Momaji Re Aaj Ghodla Aave | Paras Dewasi | D Major | 9 | 10B | 83 BPM | ||
| Mithya Bahana | Rahul Roy, Kanika Karmakar | A Minor | 9 | 8A | 140 BPM | ||
| Aeri Sakhi Mangal Gaao Ji | Ratan Rao | E Major | 9 | 12B | 122 BPM | ||
| Satguru Bin Humne Dekh Liya | Radha Swami Satsang Dinod | E Major | 8 | 12B | 90 BPM | ||
| Bhai Bahan Katha | Chunnilal Rajpurohit, Soniya | E Minor | 7 | 9A | 136 BPM | ||
| Veeno Baaje Sanwariya Thare Naam Ro | Mukesh Mahadeva | A Minor | 10 | 8A | 98 BPM | ||
| Ham Dil Ko Bichhane Vale He | Jhullur Dada, Tanya Jha | G Minor | 8 | 6A | 73 BPM | ||
| Sabad Ri Lagi Ve So Jaane | Anita Jangid | F Minor | 9 | 4A | 170 BPM | ||
| Setha Se thath kare Gorakhnath | Mukesh Sharma | F Major | 8 | 7B | 92 BPM | ||
| Vonkdi Muchala Moma Veer - Momaji Bhajan | Viru Nehad | C Minor | 7 | 5A | 80 BPM | ||
| Ghadi Ghadi Mahre Hath | Beejal Khan | A♭ Major | 9 | 4B | 91 BPM | ||
| Mor Chaddi Thare Hatho Me | Naresh Narsi | F Major | 9 | 7B | 75 BPM | ||
| Gal Wafawan Di | Tajammal Mansoor Malangi | F♯ Major | 9 | 2B | 106 BPM | ||
| Mhari Udey Re Koyaldi - Original | Harsh Mali, NA | G Minor | 9 | 6A | 90 BPM | ||
| Panchuji Wali Pihar | Hemraj Saini | A Major | 9 | 11B | 172 BPM | ||
| Devidhar | Diwan Siwan | F♯ Major | 8 | 2B | 94 BPM |