Joseph Haydn, The Angeles String Quartet's ' "String Quartet in D Major, Hob.III:34, (Op. 20 No. 4): 3. Menuet alla zingarese" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, The Angeles String Quartet's "Haydn: Complete String Quartets" album is number 3 out of 280. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, String Quartet in D Major, Hob.III:34, (Op. 20 No. 4): 3. Menuet alla zingarese is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of String Quartet in D Major, Hob.III:34, (Op. 20 No. 4): 3. Menuet alla zingarese by Joseph Haydn, The Angeles String Quartet to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in C Major, F. 26: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | C Major | 1 | 8B | 77 BPM | ||
| Symphony No. 5 in D Major: I. Allegro con molto spirito | John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz | D Major | 2 | 10B | 139 BPM | ||
| Overture in D Major, Op. 8, No. 6: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 106 BPM | ||
| Symphony in E minor, H.I No. 44 -"Mourning": 4. Finale (Presto) | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | E Minor | 3 | 9A | 150 BPM | ||
| Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | E Major | 0 | 12B | 76 BPM | ||
| Keyboard Concerto in D Minor, BWV 1052: I. Allegro - Performed on Piano | Johann Sebastian Bach, András Schiff, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM | ||
| Symphony in C Major, Ben. 128: I. Allegro molto spiritoso | Ignaz Pleyel, Capella Istropolitana, Uwe Grodd | C Major | 1 | 8B | 88 BPM | ||
| Orpheus And Eurydice: I. Dance Of The Furies | Christoph Willibald Gluck, Robert Haydon Clark, Consort of London | A Minor | 2 | 8A | 147 BPM | ||
| Das listige Bauernmädchen: No. 11, Allegro molto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 1 | 8B | 78 BPM | ||
| Pavane | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Minor | 0 | 7A | 140 BPM | ||
| Albinoni: Concerto In B Flat, Op 7 No.3 - Iii Allegro | Tomaso Albinoni, Tine Thing Helseth | B♭ Major | 3 | 6B | 123 BPM | ||
| Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 176 BPM | ||
| Symphony in G Major, Op. 11 No. 1: II. Andante | Joseph Boulogne Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Major | 0 | 10B | 122 BPM | ||
| Overture in D Major, Op. 8, No. 2: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | C Minor | 1 | 5A | 102 BPM | ||
| Symphony in A Major, Op. 1, No. 3 (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
| Concerto a due cori No. 1 in B flat (1989 Digital Remaster): II. Allegro | George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
| Octet No. 1 in B-Flat Major: II. Andantino | Carl Stamitz, Consortium Classicum | N/A | N/A | N/A | 0 BPM | ||
| Hummel: Trumpet Concerto In E Flat - Ii Andante | Johann Nepomuk Hummel, Tine Thing Helseth | A♭ Major | 1 | 4B | 92 BPM | ||
| Symphony, " Salomon " , No. 104 in D-Major, Hob.I:104: IV. Finale: Spiriuoso | Slovak Philharmonic, Alfred Scholz | D Major | 2 | 10B | 138 BPM | ||
| Concerto grosso in B flat major, Op. 3/2, HWV 313: III. Allegro | George Frideric Handel, Kammerorchester Basel | D♭ Minor | 3 | 12A | 148 BPM | ||
| Symphony No. 35 KV385 in DMajor "Haffner": Finale.Presto | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 145 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | ||
| Symphony in C Major, W. I/6: I. Allegro di molto | Johann Christoph Friedrich Bach, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Major | 1 | 8B | 75 BPM | ||
| I. Adagio ma non troppo | Fanny Mendelssohn, Minguet Quartett | D♭ Minor | 0 | 12A | 88 BPM |