Paul Mooney's 'OJ Simpson' had a release date set for January 15, 2021. OJ Simpson is explicit and may not be suitable for children. With the duration being about 4:13, this song is close to the average duration of a typical track. The song is number 8 out of 32 in Full Frontal Comedy, Vol. 2 by Various Artists. In terms of popularity, OJ Simpson is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of OJ Simpson by Paul Mooney is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Know a Hoe When I See One | Paul Mooney | B Minor | 4 | 10A | 56 BPM | ||
| Jenkins Part II | Keith Alberstadt | A♭ Major | 8 | 4B | 141 BPM | ||
| Women Don't Know How To Be Happy | Patrice O'Neal | D♭ Major | 5 | 3B | 142 BPM | ||
| We're All Weird | Jeff Dye | G Major | 4 | 9B | 120 BPM | ||
| Words | Al Toomer | B Major | 5 | 1B | 64 BPM | ||
| Newborns | Alex Velluto | D Major | 6 | 10B | 70 BPM | ||
| Sam Ponders Friendship, Single Sex, Relationship Sex, and…uh, Just Listen | Sam Morril | B♭ Minor | 8 | 3A | 60 BPM | ||
| Where Were These Diseases | Paul Mooney | A Major | 3 | 11B | 79 BPM | ||
| Labor | Steve Treviño | E♭ Major | 6 | 5B | 83 BPM | ||
| Rising Costs | Noah Gardenswartz | A♭ Major | 4 | 4B | 132 BPM | ||
| Used to Work at Golden Corral | Jay Pharoah | D Minor | 6 | 7A | 122 BPM | ||
| Rock Bottom | Joe Bartnick | B♭ Major | 6 | 6B | 137 BPM | ||
| Little League Late Bloomer | Chris Porter | E♭ Minor | 8 | 2A | 170 BPM | ||
| A Good Black Leader | Ian Edwards | F♯ Minor | 6 | 11A | 99 BPM | ||
| My Mom's Dating Again | Chris Distefano | F♯ Minor | 8 | 11A | 84 BPM | ||
| Making Croissants | Michelle Wolf | F♯ Minor | 7 | 11A | 66 BPM | ||
| Me vs The Geriatrics | Michael Blaustein | D♭ Major | 5 | 3B | 96 BPM | ||
| Broke | Jordan Jackson | F♯ Minor | 7 | 11A | 101 BPM | ||
| Everything Cruffin | Josh Gondelman | D♭ Minor | 10 | 12A | 52 BPM | ||
| RIP Tom | Kevin Nealon | F♯ Major | 8 | 2B | 146 BPM | ||
| Zero Fucks | Christopher Titus | A Major | 6 | 11B | 95 BPM | ||
| Jake, My Twin | Matt Braunger | F♯ Minor | 6 | 11A | 93 BPM | ||
| Italian Father | Sebastian Maniscalco | C Major | 4 | 8B | 147 BPM | ||
| Food Police | Erik Griffin | D Major | 6 | 10B | 60 BPM | ||
| Dream Come True (ISATA 1988) | Paul Mooney | A♭ Minor | 8 | 1A | 124 BPM |