Rajendra Vaishampayan's 'Dwandva' had a release date set for April 1, 2009. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Dwandva's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rajendra Vaishampayan's "Mann Samvad" album is number 13 out of 56. On top of that, India appears to be the country where this track was created. Dwandva is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dwandva by Rajendra Vaishampayan to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Aim Hrim Kleem Chamundaye Viche | Sachin Gaba | D♭ Minor | 5 | 12A | 99 BPM | ||
| Siva Ashtothara Sathanamam | Nishantala Surya Prakash Rao | A Major | 5 | 11B | 171 BPM | ||
| Devi Athrva Seersham | S.Prakash Kaushik | G Major | 3 | 9B | 98 BPM | ||
| Shri Renuka Ashtak | Aarya Morajkar | A♭ Major | 6 | 4B | 82 BPM | ||
| Moolamanthram | T. S. Aswini Sastry, T. S. Rohini Sastry | B Major | 5 | 1B | 112 BPM | ||
| Vighneshwaraye Varday | Shalini Srivastava | B♭ Major | 4 | 6B | 136 BPM | ||
| Mantraraja pada Stotram | Daasoham | C Minor | 6 | 5A | 116 BPM | ||
| Shiva Mansa Puja | Malola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 174 BPM | ||
| Saptashati Ahdyay 4 | Rajendra Vaishampayan | D♭ Major | 1 | 3B | 121 BPM | ||
| Raghupati Raghav Rajaram | Purushottam Upadhyay, Kamal Barot, Saathi | F Minor | 7 | 4A | 120 BPM | ||
| Sri Ganesha Ashtakam | Veda Pandits | F Major | 3 | 7B | 123 BPM | ||
| Rudra Chamak | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 83 BPM | ||
| Stothra Kadambam | T. S. Aswini Sastry, T. S. Rohini Sastry | D Major | 9 | 10B | 160 BPM | ||
| Ganesha Runahara Stotram | Shankara Sastry | F Minor | 4 | 4A | 93 BPM | ||
| Shukra Mantra | Umesh Joshi, Shantanu Herlekar, Vijay Dhuri, Rucha Soman, Pragati Joshi | B♭ Major | 2 | 6B | 116 BPM | ||
| Kanha Aale Naa | Vishnubuva Wavanjekar | E♭ Major | 8 | 5B | 81 BPM | ||
| Navarna Mantra | Shrikrishna Sawant | F Major | 0 | 7B | 138 BPM | ||
| Datta Mala Mantra | Tejaswini Ingale | A♭ Major | 2 | 4B | 93 BPM | ||
| Bhagavad Gita Adhyay, Pt. 17 | Shrirang Bhave | F♯ Major | 4 | 2B | 94 BPM | ||
| Santhi Vachakam | Sri Hari Atchuta Rama Sastry, Sri Hari Nagabhushana Saatry | C Major | 1 | 8B | 165 BPM | ||
| Laxmi Suktam | Dixit Guru | E Major | 5 | 12B | 77 BPM | ||
| Datta Stavam | Sri Ganapathy Sachchidananda Swamiji | B♭ Major | 2 | 6B | 85 BPM | ||
| Om Sri Banashankariye Namaha | Puttur Narasimha Nayak | A♭ Major | 1 | 4B | 105 BPM | ||
| Jar Of Hearts | Rajendra Vaishampayan | F Minor | 9 | 4A | 130 BPM | ||
| Madhura Ashtak | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 78 BPM |