George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'All We Like Sheep Have Gone Astray - Live' had a release date set for January 1, 1987. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 3 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, All We Like Sheep Have Gone Astray - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of All We Like Sheep Have Gone Astray - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Noe! Noe! | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Sissel | C Major | 3 | 8B | 99 BPM | ||
| Messiah: Part 2, Why do the nations so furiously rage together? (Air, Bass) | The Sixteen | F♯ Major | 4 | 2B | 142 BPM | ||
| Messiah, HWV 56 / Pt. 3: If God Be For Us, Who Can Be Against Us? | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott | G Minor | 1 | 6A | 116 BPM | ||
| Gloria in D Major, RV 589: XII. Cum sancto spiritu | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | ||
| Holy, holy, holy (Nicaea) [v.2 arr. Willcocks] | John Bacchus Dykes, Reginald Heber, Choir of King's College, Cambridge, Ian Hare, Sir David Willcocks | D Major | 2 | 10B | 73 BPM | ||
| This Christmastide (Jessye's Carol) | St. Olaf Choral Ensembles | D Major | 1 | 10B | 126 BPM | ||
| Thompson: Alleluia | Robert Shaw, Robert Shaw Chamber Singers | D Major | 1 | 10B | 134 BPM | ||
| Traditional: Joy to the World! | Choir of King's College, Cambridge, Peter Stevens | D Major | 1 | 10B | 86 BPM | ||
| Hodie Christus natus est | Jan Pieterszoon Sweelinck, Voices of Ascension Chorus, Dennis Keene | B♭ Major | 2 | 6B | 82 BPM | ||
| Messiah, HWV 56 / Pt. 1: Thus Saith The Lord | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold | F Major | 3 | 7B | 82 BPM | ||
| Ave Maria | Robert Parsons, The Cambridge Singers, John Rutter | B♭ Major | 1 | 6B | 67 BPM | ||
| Ave Maria (Franz Biebl) | Chanticleer | D♭ Major | 0 | 3B | 65 BPM | ||
| Maria Wiegenlied, Op. 76, No. 52 | Max Reger, André Previn, Kathleen Battle, Frederica von Stade, Orchestra of St. Luke's | A♭ Major | 1 | 4B | 169 BPM | ||
| Dettingen Te Deum in D Major, HWV 283: IXb. Thou Didst Open the Kingdom of Heaven | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | E♭ Major | 1 | 5B | 75 BPM | ||
| Christmas Suite | Francois-Joseph Gossec, Academy of Ancient Music, Christopher Hogwood | B Major | 0 | 1B | 94 BPM | ||
| Joy To The World | Lowell Mason, The Bach Choir, Royal Philharmonic Orchestra, John Rutter | D Major | 2 | 10B | 96 BPM | ||
| Magnificat: VII. Gloria Patri | John Rutter, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM | ||
| O magnum mysterium | Tomás Luis de Victoria, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| All Praise to Thee, My God, This Night | Traditional, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt | G Major | 0 | 9B | 79 BPM | ||
| Palestrina: Collegio Romano MS 2852: Alma redemptoris | Giovanni Pierluigi da Palestrina, Edward Higginbottom, Choir of New College, Oxford | E Major | 0 | 12B | 139 BPM | ||
| O Little Town Of Bethlehem | Choir of King's College, Cambridge, Andrew Davis, Sir David Willcocks | F♯ Major | 2 | 2B | 81 BPM | ||
| Sleepers, Wake (‘Zion Hears the Watchmens' Voices') | St. Paul's Cathedral Choir, Royal Philharmonic Orchestra, John Scott | E♭ Major | 0 | 5B | 146 BPM | ||
| Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Choral. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft" | Johann Sebastian Bach, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields | G Major | 1 | 9B | 94 BPM | ||
| I Will Sing with the Spirit (Version for Mixed Choir & Orchestra) | John Rutter, The Cambridge Singers, City of London Sinfonia | E Major | 0 | 12B | 108 BPM | ||
| Judas Maccabaeus HWV 63: See, the conqu'ring hero comes! | George Frideric Handel, Hannes Läubin, Wolfgang Läubin, Bernhard Läubin, Norbert Schmitt, Simon Preston | C Major | 0 | 8B | 138 BPM |