Silverstein's 'Help - The Beatles Cover' had a release date set for March 31, 2009. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Help - The Beatles Cover's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 19 in A Shipwreck In The Sand (Bonus Track Version) by Silverstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Help - The Beatles Cover is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Help - The Beatles Cover by Silverstein is Presto (very, very fast), since this song has a tempo of 195 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Photograph Is Proof (I Know You Know) | Taking Back Sunday | G Major | 9 | 9B | 158 BPM | ||
| Hey Jealousy | Hit The Lights | A Major | 9 | 11B | 85 BPM | ||
| Dead Man's Party | A Thorn For Every Heart | E♭ Minor | 8 | 2A | 175 BPM | ||
| American Dream | Silverstein | F♯ Major | 9 | 2B | 95 BPM | ||
| Surrender | Less Than Jake | B Major | 9 | 1B | 178 BPM | ||
| Playing For Keeps | Matchbook Romance | E Major | 5 | 12B | 79 BPM | ||
| Mourning Would Come | A Static Lullaby | E Minor | 10 | 9A | 99 BPM | ||
| The Way You Love Me | Keepsake | D Major | 6 | 10B | 120 BPM | ||
| Alive out of Habit | From Autumn To Ashes | D♭ Major | 10 | 3B | 100 BPM | ||
| Love To Hate, Hate To Me | A Static Lullaby | D Major | 10 | 10B | 105 BPM | ||
| Straight Up | Halifax | B♭ Minor | 9 | 3A | 84 BPM | ||
| In Throws of a Moral Quandary | Ice Nine Kills | A♭ Major | 10 | 4B | 164 BPM | ||
| Kansas City 90210 | From Autumn To Ashes | C Major | 8 | 8B | 154 BPM | ||
| 3 AM | Chiodos | G Major | 9 | 9B | 163 BPM | ||
| Beautiful People | Eighteen Visions | F♯ Major | 9 | 2B | 140 BPM | ||
| Worlds Apart | Silverstein | D♭ Major | 7 | 3B | 130 BPM | ||
| Goes Without Saying | Scary Kids Scaring Kids | A Minor | 4 | 8A | 111 BPM | ||
| More Than A Feeling | Hit The Lights | D♭ Major | 9 | 3B | 128 BPM | ||
| Young And Aspiring | Underoath | E Minor | 10 | 9A | 180 BPM | ||
| Perfection Through Silence | Finch | D♭ Major | 9 | 3B | 117 BPM | ||
| I'm the Best at Ruining My Life | From Autumn To Ashes | D Major | 9 | 10B | 153 BPM | ||
| Major Tom (Coming Home) | I Hate Kate | A Major | 9 | 11B | 158 BPM | ||
| Worlds Apart | Silverstein | D♭ Major | 9 | 3B | 130 BPM | ||
| Cross Out The Eyes | Thursday | G Major | 8 | 9B | 80 BPM | ||
| See You Again | Breathe Carolina | A Minor | 9 | 8A | 136 BPM |