"The Lark (arr. for Harp)" by Mikhail Glinka, Se Hee Hwang had its release date on August 30, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since The Lark (arr. for Harp) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from South Korea. The Lark (arr. for Harp) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lark (arr. for Harp) by Mikhail Glinka, Se Hee Hwang having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| A Life for the Tsar (Ivan Susanin): Chorus "Slavsya" (Arr. Vitaly Eremeyev) | Mikhail Glinka, Владимир Андропов, Духовой оркестр Большого театра | D Major | 6 | 10B | 115 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
| Granados: Escenas románticas: No. 6, Epílogo | Enrique Granados, Daniel Ligorio | E♭ Major | 0 | 5B | 108 BPM | ||
| Ruslan and Lyudmila, Op. 5, Act I: No. 2, Lyudmila's Cavatina. Grustno Mne, Roditel' Dorogoi | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra, Bolshoi Theatre Choir, Ekaterina Morozova | G Major | 1 | 9B | 106 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, Czech Philharmonic, Karel Ančerl | A Major | 3 | 11B | 81 BPM | ||
| 8 Nocturnes, Op. 368: No. 5, Allegretto grazioso e con anima | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| 18 Études, Op. 109: No. 13, L'orage | Friedrich Burgmüller, Carl Petersson | D Minor | 1 | 7A | 85 BPM | ||
| Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
| Nocturne in E Minor, Op. posth. 72/1 | Frédéric Chopin, Jan Lisiecki | B Major | 0 | 1B | 71 BPM | ||
| Arabeske, Op. 18 | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Piano Concerto in E Major, Op. 59: IV. Allegro deciso | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | E Major | 2 | 12B | 84 BPM | ||
| 3 Waltzes, Op. 64: No. 2 in C-Sharp Minor | Frédéric Chopin, Arthur Rubinstein | D♭ Minor | 0 | 12A | 76 BPM | ||
| 6 Moments musicaux, D. 780: No. 3, Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
| Lyric Pieces: Melodie / Melody, Op. 47, 3 | Edvard Grieg, Heidi Kommerell | D♭ Minor | 1 | 12A | 73 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
| Keyboard Suite No. 1 in B-Flat Major, HWV 434: IV. Minuet (Arr. W. Kempff for Piano) | George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
| Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
| Character Pieces, MA Ms. 44 (selections): VIII: Allegro moderato, in B Major | Fanny Mendelssohn, Beatrice Rauchs | A♭ Minor | 1 | 1A | 88 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Ruslan and Ludmila: Chernomor’s March | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | F Major | 1 | 7B | 94 BPM | ||
| Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM |