On December 18, 2016, the song "Salamo Tata" was released by Anil. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Nituye". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. Based on our statistics, Salamo Tata's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Salamo Tata by Anil having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey Har Hamar | Amit Jha | G Major | 8 | 9B | 156 BPM | ||
| Harul | Anil | A♭ Minor | 6 | 1A | 76 BPM | ||
| Helo Ji Suno | Gopal Bajaj | A♭ Major | 9 | 4B | 105 BPM | ||
| Tamdau Hoge Ji - Best CG Song | Nilkamal Vaishnav | G Major | 5 | 9B | 90 BPM | ||
| Sanwariya Me To Aayo Dwar | Mukesh Mahadeva | F Major | 9 | 7B | 150 BPM | ||
| Baba Ji Da Sohna Mandir | Hans Raj Hans | G Minor | 9 | 6A | 95 BPM | ||
| Mani Maheshan Chali Peiyaan O | Pammi Thakur | A Major | 8 | 11B | 172 BPM | ||
| AASRO BALAJI MANE THARO | Bhagwat Suthar | A♭ Minor | 10 | 1A | 97 BPM | ||
| Dil Me Tu Hirda Me Tu Mandfiya Wala Sanwriya | Prakash Mali Mehandwas | D Major | 9 | 10B | 95 BPM | ||
| Khatiya Bichaaye Da | Kalpana Patowary, Rajesh Gupta, Vinay Bihari | G Major | 9 | 9B | 140 BPM | ||
| Geharee Geharee Birakha | Prakash Mali | A♭ Major | 7 | 4B | 90 BPM | ||
| Mujhe Leke Chalo Na Khatu Ji Ke Mele Mein | Rudransh | D♭ Major | 8 | 3B | 150 BPM | ||
| Ve Kale Rang Waleya | Anil, Rajnish Sharma | A Minor | 9 | 8A | 180 BPM | ||
| Salasar Jawan Ne | Prakash Gandhi, Pushpa Sankhla | A♭ Major | 9 | 4B | 75 BPM | ||
| Mari dubtadi naya ne par lagao mandfiya wala seth sanwariya | Premshankar Jat | E Minor | 9 | 9A | 84 BPM | ||
| Kahi Parwat Jhuke Bhi Hai | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Chahke Chiraiya | Aaru Sahu | E♭ Major | 8 | 5B | 113 BPM | ||
| Ashq Bankar Meri Ankhon Mein Lahu Aaya Hai | Ashif Sabri | D Major | 9 | 10B | 81 BPM | ||
| Le Lo Apni Sharan Anjana Ke Lalan | Mishra Bandhu Ji Maharaj | F♯ Major | 8 | 2B | 106 BPM | ||
| Jeshane Ri Aawad Ma Bhalo Re Odhyo Bheliyo | Ramavtar Marwadi | A♭ Major | 10 | 4B | 150 BPM | ||
| Dani Hokar Kyu Chup Beitha | Anil, Rajnish Sharma | D♭ Major | 8 | 3B | 80 BPM | ||
| Raua Ho Gaini M.L.A | Indu Sonali | C Minor | 9 | 5A | 75 BPM | ||
| Lajana Tor o Katho Ga Mai To | Dular Mandavi | F♯ Major | 10 | 2B | 140 BPM | ||
| Tor Mor Maya Ke Bandhana | Mamta Chandrakar, Chhaya Chandrakar, Sunil Soni | F♯ Major | 9 | 2B | 136 BPM | ||
| Raat Anderi Galo Bhulgi | Shyam Paliwal | F Minor | 9 | 4A | 125 BPM |