- BPM
- 120
- Key
- G Minor
- Camelot
- 6A
Outcast by Mark R Song Details
Mark R's 'Outcast' had a release date set for January 1, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Replicate 01 (A Tribute To Front Line Assembly)". In this album, this song's track order is #11. Based on our statistics, Outcast's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Outcast by Mark R having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -7.636 dB
- Acousticness
- 9%
- Danceability
- 59%
- Energy
- 90%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 87%
- Speechiness
- 4%
- Valence
- 27%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | |
 | Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger 188": II. Adagio - Presto - Allegro | Giuseppe Torelli, Maurice André, Philharmonia Orchestra, Riccardo Muti | B♭ Major | 1 | 6B | 71 BPM | |
 | Halljuk (Hear! Hear!) Csardas | Márk Rózsavölgyi, Budapest Strings, Karoly Botvay | D Minor | 1 | 7A | 171 BPM | |
 | Where the Dawn Holds Still | Bheto VN | G Major | 1 | 9B | 67 BPM | |
 | Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) | Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith | D Major | 2 | 10B | 141 BPM | |
 | Largo (Concierto Para Guitarra Y Cuerda Re Mayor) | Cámara de la Escala De Milan | D Major | 0 | 10B | 104 BPM | |
 | The Symphony of Everything | Zhot, Timothy James Johnson | D Minor | 2 | 7A | 80 BPM | |
 | Overture in D Major, Op. 8, No. 4: II. Un poco andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 0 | 9B | 165 BPM | |
 | Divertimento in F for String Ensemble, K.138: ii. Andante | Mozart, English Chamber Orchestra, David Blum | E♭ Major | 0 | 5B | 138 BPM | |
 | Spartacus: Adagio (arr. J. Galway for flute and piano) | Aram Khachaturian, Kenneth Smith, Paul Rhodes | A Major | 1 | 11B | 91 BPM | |
 | Dorian Night | Mark R | F♯ Major | 7 | 2B | 96 BPM | |
| Talking Wheels | Mark R | A Major | 6 | 11B | 103 BPM | |
 | Hyacinth and english horn | Jalaapeno | A♭ Major | 0 | 4B | 56 BPM | |
 | Hungarian March to the Assault, S. 119 | Franz Liszt, Cincinnati Symphony Orchestra, Erich Kunzel | C Major | 1 | 8B | 132 BPM | |
 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | |
 | Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM | |
 | Arrival In Bad Ischl | Pino Donaggio | D♭ Minor | 3 | 12A | 175 BPM | |
 | Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Albrecht Mayer, Sinfonia Varsovia | C Minor | 4 | 5A | 113 BPM | |
 | Exito Silencioso | Ninfas De Ultramar | D♭ Minor | 1 | 12A | 87 BPM | |
 | Sinfonia in D Major, Wq. 183/1, H. 663: II. Largo | Carl Philipp Emanuel Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Major | 1 | 8B | 98 BPM | |
 | Cathedral of Frosted Air | Bheto VN | D♭ Minor | 6 | 12A | 89 BPM | |
 | Increiblemente Fuertes | Los Triunfadores | B♭ Major | 4 | 6B | 129 BPM | |
 | Songs Without Words, Op. 62: No. 6 in A Major: Molto allegro vivace "Fruhlinglied" (Spring Melody) | Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | |
 | Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | |
 | Walzer, op. 39 Nr. 15 | Santec Music Orchestra | E♭ Major | 1 | 5B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records