George Fenton, Irene Chanter's ' "Sweet Southern Comfort" was released on its scheduled release date, November 4, 2011. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 70's Easy FM, so we believe that "Sweet Southern Comfort" is a single. Based on our statistics, Sweet Southern Comfort's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sweet Southern Comfort by George Fenton, Irene Chanter is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| Main Titles - Princess Diaries Score | John Debney | A Major | 0 | 11B | 37 BPM | ||
| The Royal Wedding | George Fenton | C Major | 1 | 8B | 134 BPM | ||
| Jane e Rochester | Claudio Capponi, Alessio Vlad | G Major | 1 | 9B | 68 BPM | ||
| Iris And Jasper | Hans Zimmer | E Minor | 1 | 9A | 63 BPM | ||
| Maria - Theme | Guy Farley | F Major | 3 | 7B | 80 BPM | ||
| We'll Be #1 | William Ross | B♭ Major | 1 | 6B | 122 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| The Wind | Jan A.P. Kaczmarek | E Minor | 2 | 9A | 67 BPM | ||
| The Proposal (Under The Horse Chestnut Tree) | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 85 BPM | ||
| Love Scene | John Barry, Jeff Barry | C Major | 1 | 8B | 77 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| Eshkeri: Prologue (Through The Wall) | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 3 | 10B | 70 BPM | ||
| Sense and Sensibility (From "Sense and Sensibility") [BBC 2008 Adaptation] | Regency Players | D Major | 5 | 10B | 112 BPM | ||
| Valley of the Shadow - Instrumental | Thomas Newman | F Major | 0 | 7B | 106 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| I Spy Something Green | Theodore Shapiro | B Major | 1 | 1B | 68 BPM | ||
| Apples n' Oranges | Alexander Janko | C Major | 1 | 8B | 142 BPM | ||
| Harriet Smith | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 96 BPM | ||
| The Ice Sculpture | George Fenton | A♭ Major | 2 | 4B | 137 BPM | ||
| Alice Studies | Guy Farley | G Minor | 1 | 6A | 86 BPM |