- BPM
- 104
- Key
- E♭ Major
- Camelot
- 5B
If There Were Dreams to Sell (Arr. F. Bye) by John Ireland, Roderick Williams, Iain Burnside Song Details
"If There Were Dreams to Sell (Arr. F. Bye)" by John Ireland, Roderick Williams, Iain Burnside had its release date on May 27, 2008. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. If There Were Dreams to Sell (Arr. F. Bye)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Ireland, Roderick Williams's "Ireland: 5 Poems / We'Ll To the Woods No More / Sea Fever / Santa Chiara (English Song, Vol. 18)" album is number 27 out of 27. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, If There Were Dreams to Sell (Arr. F. Bye) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of If There Were Dreams to Sell (Arr. F. Bye) by John Ireland, Roderick Williams, Iain Burnside to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -29.83 dB
- Acousticness
- 96%
- Danceability
- 30%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 13%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schubert / Arr. Cameron: Psalm XXIII, Op. Posth. 132, D. 706 "Der Herr ist mein Hirt" | Franz Schubert, Edward Higginbottom, Choir of New College, Oxford, Capricorn | A♭ Major | 1 | 4B | 81 BPM | |
 | Nesciens mater | Jean Mouton, The Monteverdi Choir, John Eliot Gardiner | G Major | 0 | 9B | 127 BPM | |
 | Miserere nostri, Domine: Miserere nostri, Domine | Thomas Tallis, Stile Antico | F Minor | 0 | 4A | 62 BPM | |
 | My soul, there is a country | Hubert Parry, St. Paul's Cathedral Choir, Christopher Dearnley, Barry Rose | G Major | 2 | 9B | 182 BPM | |
 | Oíche Mhaith a Sheáin | Máire Carroll, Kristan Swain | D Major | 0 | 10B | 62 BPM | |
 | All-Night Vigil, Op.37: All-Night Vigil, Op.37: VI. Rejoice, O Virgin | Sergei Rachmaninoff, Estonian Philharmonic Chamber Choir, Paul Hillier | E Major | 3 | 12B | 124 BPM | |
 | Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | |
 | 3 Dance Episodes from On the Town: No. 2, Lonely Town | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | |
 | O For The Wings Of A Dove | London Philharmonic Choir | G Major | 1 | 9B | 79 BPM | |
 | Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | |
 | The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | |
 | Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | |
 | Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM | |
 | A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | |
 | Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | |
 | They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | |
| Bizet : L'Arlésienne Suite No.2 : Agnus Dei [Intermezzo] | Georges Bizet, Edward Higginbottom, Tim Oldham | D♭ Major | 1 | 3B | 84 BPM | |
 | Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | |
 | Legende | Frederick Delius, Andrew Davis, BBC Philharmonic, Tasmin Little | A♭ Major | 1 | 4B | 89 BPM | |
 | I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | |
 | Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | |
 | Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | |
 | The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 78 BPM | |
 | Praise to the Holiest in the Height | John Bacchus Dykes, Wells Cathedral Choir, Wells Cathedral School Brass Ensemble, Malcolm Archer & Rupert Gough | A♭ Major | 1 | 4B | 75 BPM | |
 | The Worst Kind Of Man - Remastered 2002 | Judy Garland, John Ireland | B♭ Major | 2 | 6B | 81 BPM |
- ISRC
- HKI190749327
- Label
- L-M Records/RCA Records