"Too Many Lost Souls" by Line Neesgaard had its release date on November 18, 2011. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Too Many Lost Souls's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 9 in Dreamless Sleep by Line Neesgaard. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Too Many Lost Souls is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Too Many Lost Souls by Line Neesgaard is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aurora | Snow in April | F♯ Minor | 1 | 11A | 178 BPM | ||
| Following a Bark Boat | Franz Gordon | A Minor | 0 | 8A | 75 BPM | ||
| Monastral | Arden Forest | A♭ Minor | 1 | 1A | 181 BPM | ||
| Orlando's Bloom | Rich Batsford | G Minor | 0 | 6A | 170 BPM | ||
| Fantasia (for Nausicaä) [from "Nausicaä of the Valley of the Wind"] - Piano Version | Tamara Anna Cislowska | C Minor | 0 | 5A | 171 BPM | ||
| Inversion | Gavin Luke | E♭ Minor | 3 | 2A | 137 BPM | ||
| The Remedy | Ana Olgica | G Minor | 0 | 6A | 125 BPM | ||
| Sensibility | Nel Aique | C Major | 0 | 8B | 61 BPM | ||
| Reillume | Christophe Gorman | A Major | 0 | 11B | 70 BPM | ||
| Sofia's Waltz | Carvajal | D♭ Major | 1 | 3B | 147 BPM | ||
| Waves | Becky Ainge | C Minor | 0 | 5A | 73 BPM | ||
| Grey | Kjell Sønksen | F♯ Major | 0 | 2B | 82 BPM | ||
| Evanescent Silhouette | Catherina Dafoe | E♭ Minor | 1 | 2A | 74 BPM | ||
| Declaration | Johannes Bornlöf | C Minor | 1 | 5A | 70 BPM | ||
| The Reason Why | Esme Sanford | F Major | 1 | 7B | 65 BPM | ||
| La Raison | Orlene de Brisay | D Major | 0 | 10B | 163 BPM | ||
| Companionship | Line Neesgaard | E♭ Major | 0 | 5B | 161 BPM | ||
| Nocturne in G Minor, Op. 37, No. 1: Andante sostenuto | Frédéric Chopin, Minoire | A Major | 0 | 11B | 110 BPM | ||
| Alabaster | Arden Forest | B♭ Minor | 1 | 3A | 138 BPM | ||
| lament | Teodor Wolgers | D♭ Minor | 0 | 12A | 130 BPM | ||
| Serse, HWV 40: Ombra mai fu (Arr. for Piano) | Francis Obel | G Major | 0 | 9B | 55 BPM | ||
| Dulcian | Anders Schill Paulsen | E Major | 0 | 12B | 90 BPM | ||
| Faces | Michelle | A Minor | 0 | 8A | 102 BPM | ||
| 16 Waltzes Op. 39: No. 3 in G-Sharp Minor | Johannes Brahms, Minoire | D♭ Minor | 1 | 12A | 87 BPM | ||
| Sonata C.55 | Domenico Cimarosa, Minoire | A Minor | 0 | 8A | 75 BPM |