"Relinquish" by Kevin Penkin had its release date on September 27, 2017. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Relinquish's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kevin Penkin's "MADE IN ABYSS ORIGINAL SOUNDTRACK" album is number 13 out of 52. On top of that, Japan appears to be the country where this track was created. The popularity of Relinquish is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Relinquish by Kevin Penkin to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 果てしない蒼 | mamomo | C Major | 9 | 8B | 110 BPM | ||
| 通せんぼ | 物語シリーズ | A♭ Major | 2 | 4B | 124 BPM | ||
| Abadis Forest | Hyperduck Soundworks | G Minor | 6 | 6A | 90 BPM | ||
| Crisis in the North | Akira Senju | G Minor | 0 | 6A | 130 BPM | ||
| Date et dabitur vobis. | TECHNOBOYS PULCRAFT GREEN-FUND | F♯ Minor | 3 | 11A | 102 BPM | ||
| A Single Bloom in an Eternity | Akiyuki Morimoto | B Minor | 8 | 10A | 144 BPM | ||
| Paradise Prairie | Chamber Chu, Playing For Formosa | F Major | 5 | 7B | 132 BPM | ||
| The Voice in My Heart | Evan Call | D Minor | 1 | 7A | 140 BPM | ||
| 果て無き世界 END OF THE PROLOGUE | Yutaka Yamada | D Major | 7 | 10B | 85 BPM | ||
| Unlimited Blade Works | Hideyuki Fukasawa | F Major | 6 | 7B | 136 BPM | ||
| V for Two | FreQuency | B Minor | 9 | 10A | 135 BPM | ||
| Powerful Enemy Encounter | Keiji Inai | C Major | 7 | 8B | 151 BPM | ||
| The Man Who Burned It All | Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Main Theme ~The Alchemist~ | Akira Senju | B♭ Major | 8 | 6B | 119 BPM | ||
| A Brief Respite (Camp Theme) | Stuart Chatwood | D Major | 3 | 10B | 66 BPM | ||
| Bible - Intro | Binary Haze Interactive, Mili | F Minor | 2 | 4A | 148 BPM | ||
| Crystal Peak | Christopher Larkin | E Minor | 5 | 9A | 120 BPM | ||
| Snow in Summer | SQUARE ENIX MUSIC | B♭ Minor | 7 | 3A | 81 BPM | ||
| The Ruins as They Were | Kotaro Nakagawa | A Major | 2 | 11B | 73 BPM | ||
| Iureisha | Artisan | G Minor | 7 | 6A | 89 BPM | ||
| Hegemony of the Food Chain | Yoshihisa Hirano | D Minor | 6 | 7A | 79 BPM | ||
| 覇道 | Yutaka Yamada | E Minor | 7 | 9A | 105 BPM | ||
| The Interstice Between Survival and Ruin | 光田康典, 土屋俊輔 | A♭ Major | 3 | 4B | 83 BPM | ||
| Olberic, the Warrior | Yasunori Nishiki | D Minor | 5 | 7A | 92 BPM | ||
| Main Theme | Binary Haze Interactive, Mili | C Minor | 1 | 5A | 112 BPM |