"The Phone Call" by Giona Ostinelli had its release date on April 1, 2016. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 30 in Darling (Original Motion Picture Soundtrack) by Giona Ostinelli. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Phone Call's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Phone Call by Giona Ostinelli is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Courtyard Apocalypse | Alexandre Desplat | D♭ Major | 3 | 3B | 97 BPM | ||
| Grieve No More - Series Version | Patty Gurdy | G Minor | 1 | 6A | 83 BPM | ||
| Shape of Lies | Eternal Eclipse | A♭ Major | 6 | 4B | 87 BPM | ||
| The Last Flame | Piotr Musiał | F Minor | 2 | 4A | 70 BPM | ||
| The Game is On | David Arnold, Michael Price | C Major | 3 | 8B | 120 BPM | ||
| Death Of Ymir | Glen Gabriel | D Minor | 3 | 7A | 86 BPM | ||
| The Legend of Kai | Hans Zimmer, Gan Gou, Jian Wang, Lang Lang | F Minor | 2 | 4A | 94 BPM | ||
| Sacrifice of Tradition | Ilan Eshkeri | C Minor | 6 | 5A | 160 BPM | ||
| You Belong With Us (From "The Witcher: Season 2" Soundtrack) | Joseph Trapanese | E Minor | 1 | 9A | 88 BPM | ||
| End of an Age | Brian D'Oliveira, BLÁNID | E Minor | 1 | 9A | 138 BPM | ||
| Back On The Path | Marcin Przybyłowicz, Percival Schuttenbach | D Minor | 6 | 7A | 140 BPM | ||
| Witcher Training (From "The Witcher: Season 2" Soundtrack) | Joseph Trapanese | D Minor | 4 | 7A | 80 BPM | ||
| Lily's Theme | Alexandre Desplat | F♯ Major | 0 | 2B | 73 BPM | ||
| Song of the Lonely Mountain | Neil Finn | F Minor | 6 | 4A | 119 BPM | ||
| A Nearly Peaceful Place | Krzysztof Wierzynkiewicz | G Minor | 3 | 6A | 77 BPM | ||
| Pantheon, the Unbreakable Spear (From League of Legends: Season 9) | League of Legends | B♭ Major | 5 | 6B | 138 BPM | ||
| Hidden Machinations | Eternal Eclipse | D Minor | 7 | 7A | 84 BPM | ||
| Rún | SKÁLD | A♭ Minor | 4 | 1A | 170 BPM | ||
| Shadow | David García Díaz | F Minor | 3 | 4A | 124 BPM | ||
| For Narmer (From "Warframe") | Keith Power | D♭ Minor | 3 | 12A | 132 BPM | ||
| Empress of Fire | Raney Shockne, Elizaveta, Nick Stoubis | F♯ Minor | 4 | 11A | 162 BPM | ||
| Silver For Monsters... | Percival Schuttenbach, Marcin Przybyłowicz | D Major | 9 | 10B | 90 BPM | ||
| The Power - Orchestral Version | Borislav Slavov | G Minor | 2 | 6A | 75 BPM | ||
| Dragonborn | Jeremy Soule, The Elder Scrolls | B Minor | 5 | 10A | 67 BPM | ||
| Play a Game With Me | Giona Ostinelli | A Minor | 0 | 8A | 109 BPM |