On August 15, 1992, the song "Two Hits And The Joint Turned Brown" was released by Dillard/Hartford/Dillard. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dillard/Hartford/Dillard's "Glitter Grass From The Nashwood Hollyville Strings / Permanent Wave" album is number 3 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, Two Hits And The Joint Turned Brown is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Two Hits And The Joint Turned Brown by Dillard/Hartford/Dillard to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coming into Los Angeles - Remastered | Arlo Guthrie | E Minor | 7 | 9A | 129 BPM | ||
| Dead Skunk | Loudon Wainwright III | G Major | 7 | 9B | 147 BPM | ||
| Like A Buddha | Railroad Earth | D Major | 8 | 10B | 133 BPM | ||
| Satisfied | Woody Pines | D♭ Minor | 5 | 12A | 89 BPM | ||
| Ether Sunday | Trey Anastasio | D Minor | 3 | 7A | 77 BPM | ||
| The Piano Has Been Drinkin' (Not Me) | Dan Hicks & His Hot Licks | B Minor | 5 | 10A | 110 BPM | ||
| Freeker By the Speaker | Keller Williams | C Major | 5 | 8B | 139 BPM | ||
| Another Door | Mike Gordon | D♭ Major | 8 | 3B | 105 BPM | ||
| On the Blue Horizon | Peter Rowan | E Major | 6 | 12B | 133 BPM | ||
| I'll Be All Right | Jorma Kaukonen | G Major | 2 | 9B | 89 BPM | ||
| I Love Leaving | Jonny Fritz | C Major | 5 | 8B | 82 BPM | ||
| Steam Powered Aereo Plane | John Hartford | D Major | 6 | 10B | 121 BPM | ||
| Deep Blue Sea | Art Lown | D Major | 8 | 10B | 81 BPM | ||
| Liberty | Phil Lesh & Friends | E Major | 8 | 12B | 179 BPM | ||
| Cumberland Blues | Hot Buttered Rum | C Major | 8 | 8B | 137 BPM | ||
| Hellbender | Billy Strings | E Major | 6 | 12B | 186 BPM | ||
| Expressway (To Your Heart) | Merl Saunders & Friends | C Major | 7 | 8B | 92 BPM | ||
| Cards | Cabinet | G Major | 5 | 9B | 93 BPM | ||
| Car Carrier Blues | Leo Kottke, Mike Gordon | A♭ Major | 3 | 4B | 168 BPM | ||
| Devil in a Sleepin' Bag | Willie Nelson | D Major | 4 | 10B | 156 BPM | ||
| I'm Still Here | John Hartford | E Major | 6 | 12B | 97 BPM | ||
| High Dad In The Morning | Dillard/Hartford/Dillard | D Major | 6 | 10B | 102 BPM | ||
| Old Train | Tony Rice Unit | F Major | 5 | 7B | 121 BPM | ||
| The Grid | Leo Kottke, Mike Gordon | A Major | 5 | 11B | 77 BPM | ||
| Mary Jane's Last Breakdown | Keller Williams, the Keels | A Minor | 5 | 8A | 118 BPM |