- BPM
- 88
- Key
- G Minor
- Camelot
- 6A
Messiah, HWV 56: And He Shall Purify - Voice by George Frideric Handel, Mormon Tabernacle Choir, Philadelphia Orchestra, Eugene Ormandy Song Details
George Frideric Handel, Mormon Tabernacle Choir, Philadelphia Orchestra, Eugene Ormandy's 'Messiah, HWV 56: And He Shall Purify - Voice' had a release date set for 1959. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Messiah, HWV 56: And He Shall Purify - Voice's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Mormon Tabernacle Choir, Philadelphia Orchestra, Eugene Ormandy, Richard P. Condie's "Handel: Messiah, HWV 56" album is number 7 out of 32. Messiah, HWV 56: And He Shall Purify - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Messiah, HWV 56: And He Shall Purify - Voice by George Frideric Handel, Mormon Tabernacle Choir, Philadelphia Orchestra, Eugene Ormandy to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -19.087 dB
- Acousticness
- 98%
- Danceability
- 29%
- Energy
- 20%
- Instrumentalness
- 4%
- Liveness
- 15%
- Loudness
- 68%
- Speechiness
- 3%
- Valence
- 27%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" | George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze | A Major | 1 | 11B | 84 BPM | |
 | Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | |
 | Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | |
 | Theodora, HWV 68, Act I Scene 5: Air. Angels, ever bright and fair (Theodora) | George Frideric Handel, Christina Wieland, Diana Schmid, Franz Vitzthum, Knut Schoch, Klaus Mertens, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | E Major | 1 | 12B | 94 BPM | |
 | Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | G Major | 1 | 9B | 100 BPM | |
 | Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | |
 | Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | |
 | Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 1 | 11B | 141 BPM | |
 | Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | |
 | Serenata notturna in D Major, K. 239: III. Rondeau Allegretto – Adagio – Allegro | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 99 BPM | |
 | Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | |
 | Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Alison Balsom | D Major | 3 | 10B | 102 BPM | |
 | Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | |
 | Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | |
 | Symphony in E-Flat Major, W. I/10: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | D Major | 2 | 10B | 123 BPM | |
 | Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | |
 | Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | |
 | Cello Concerto No. 1 in G Major: II. Romance. Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 176 BPM | |
 | Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | |
 | Concerto Grosso in E Minor, Op. 6 No. 3, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records