Asklepios's 'Contactos Inciertos' had a release date set for December 9, 2022. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Contactos Inciertos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Siempre Al Limite". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Contactos Inciertos's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Contactos Inciertos by Asklepios having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saltos De Alegria | Las Pléyades | E♭ Minor | 1 | 2A | 90 BPM | ||
| Cada Uno Lo Suyo | Las Pléyades | D♭ Minor | 4 | 12A | 105 BPM | ||
| Dificil Pero No Imposible | Asklepios | D♭ Major | 5 | 3B | 110 BPM | ||
| Hidden Chants | António Pereira | B Minor | 3 | 10A | 176 BPM | ||
| The Middle | Emiliana Harlow, Emily Harlow | G Minor | 2 | 6A | 80 BPM | ||
| Drown in Light | Leo Korvin, TREN | C Major | 3 | 8B | 150 BPM | ||
| Motivos Insuficientes | Verdes Atardeceres | F Major | 2 | 7B | 103 BPM | ||
| Prosperidad | Vino Veritas | C Major | 3 | 8B | 143 BPM | ||
| La Undicesima Ora | Bulruk | G Major | 5 | 9B | 90 BPM | ||
| Fuera De Ritmo | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Occhi Nascosti | Non Binary | C Minor | 2 | 5A | 140 BPM | ||
| Venganzas Venideras | Las Guerreras | B Minor | 2 | 10A | 110 BPM | ||
| Fuerzas De Flaqueza | Los Elocuentes | F Minor | 1 | 4A | 150 BPM | ||
| Casos Individuales | Asklepios | D♭ Major | 0 | 3B | 82 BPM | ||
| He Thinks He Can Dance | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Ludmilla W Strakowa | C Minor | 1 | 5A | 89 BPM | ||
| Outta Office | Uebbeow | C Minor | 3 | 5A | 74 BPM | ||
| San Pietro | Martin Madrazo, Martin Lamo | C Major | 4 | 8B | 90 BPM | ||
| Cafe Brown | Renat Mentanus, Renatus | D♭ Major | 2 | 3B | 130 BPM | ||
| Il Fronte | Non Binary | E Minor | 3 | 9A | 90 BPM | ||
| All Apologise | Aysel Kazim, Selenay Kazim | D♭ Minor | 2 | 12A | 87 BPM | ||
| Man for a Sunrise | Ernesto Vallini, Neon Lilith, Ludwen Shalind, Ludmilla W Strakowa | G Minor | 4 | 6A | 100 BPM | ||
| Tarde Y Bien | Moon Vagrants | D♭ Minor | 1 | 12A | 110 BPM | ||
| Dando Vida | Hasta El Final | A Minor | 1 | 8A | 146 BPM | ||
| Notturno II en Mi mineur – Murmures Perdus | Sam the Revenant | A♭ Minor | 1 | 1A | 134 BPM | ||
| Relationship | Turgut Kazimov, Tourgut | D Major | 3 | 10B | 180 BPM |