Raghunath Manet's ' "Ganesa" was released on its scheduled release date, 1997. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Pondichéry". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. The popularity of Ganesa is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ganesa by Raghunath Manet having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yaar Enna Sonnalum - Maharajapuram Santhanam | Maharajapuram Santhanam | G Major | 4 | 9B | 157 BPM | ||
| Annamaya | R Manjunath | F♯ Major | 5 | 2B | 125 BPM | ||
| Shivânjali: Alarippû | Raghunath Manet | C Minor | 8 | 5A | 95 BPM | ||
| Nadaloludai | Raghunath Manet, Umayalpuram K. Sivaraman | B Major | 1 | 1B | 104 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Anupallavi | Ranganayaki Rajagopalan, Raja Rao | F Minor | 3 | 4A | 153 BPM | ||
| Subramanyane | Ranganayaki Rajagopalan | E Minor | 5 | 9A | 169 BPM | ||
| Hemis | Milind Date | A Minor | 4 | 8A | 172 BPM | ||
| Raga Patdeep part 1 | G.S. Sachdev | F Major | 0 | 7B | 79 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Pallavi | Ranganayaki Rajagopalan, Raja Rao | G Minor | 3 | 6A | 145 BPM | ||
| Rahuvamsa - Kadana Kuthukalam - Adi | Rajhesh Vaidhya | G Major | 8 | 9B | 100 BPM | ||
| Charukesi (Violin Solo) | Apoorva Krishna | A Major | 6 | 11B | 150 BPM | ||
| Sree Mahaganapathim | Kunnakudi Vaidyanathan | E Major | 5 | 12B | 96 BPM | ||
| Yaaro Ivar Yaaro - Mandolin | U. Srinivas | C Minor | 5 | 5A | 148 BPM | ||
| Than Thandhathai | Mahanya Shree S | D Major | 7 | 10B | 140 BPM | ||
| Maharaj Eki Sajey Ele | Tejendra Majumdar | C Major | 5 | 8B | 117 BPM | ||
| Sri Chakra Raja | Rajhesh Vaidhya | A♭ Major | 9 | 4B | 155 BPM | ||
| DIMANCHE | Aldo Brizzi, Raghunath Manet | B♭ Minor | 8 | 3A | 150 BPM | ||
| Kṛiti by Saint Tyāgarāja - Rāgam: Bilaharị | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 133 BPM | ||
| Amma Amma - Instrumental | Raghunath Manet | F♯ Major | 6 | 2B | 168 BPM | ||
| Krishna Nee Begane - Raga Yamuna Kalyani - Tala Misra Chapu | Aruna Sairam, S. Karthick, J. Vaidyanathan, Archana | B♭ Major | 3 | 6B | 139 BPM | ||
| Kriti: Padavini with Vina and Mrdangam | Trichy Sankaran | A♭ Major | 4 | 4B | 135 BPM | ||
| SHIVA'S HOLODANCES | Aldo Brizzi, Raghunath Manet | A♭ Major | 4 | 4B | 78 BPM | ||
| Mangalam | Ranjani, Gayathri | A Major | 8 | 11B | 130 BPM | ||
| Mangalam Jaya Mangalam | Sangita Kalanidhi Dr R Vedavalli | B Minor | 7 | 10A | 80 BPM | ||
| Khandam - A Sequence of Five | Bickram Ghosh | F♯ Minor | 8 | 11A | 170 BPM |