Cultural Roots's ' "Every Man Has A Right" was released on its scheduled release date, 1984. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Cultural Roots's "Hell A Go Pop" album is number 2 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Every Man Has A Right is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Every Man Has A Right by Cultural Roots to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let's Go to Zion | Winston Francis | G Minor | 5 | 6A | 129 BPM | ||
| No Dreams | MIlton Henry | E♭ Minor | 5 | 2A | 131 BPM | ||
| Officially / One X One | Lloyd Parks, Ray I | G Minor | 6 | 6A | 140 BPM | ||
| Cut A Matches Stick In Four | Junior Reid | A♭ Minor | 4 | 1A | 80 BPM | ||
| Bank Of The River | Cedric Myton, The Congos | E♭ Minor | 4 | 2A | 157 BPM | ||
| Respect Due | Junior Reid | G Minor | 4 | 6A | 77 BPM | ||
| Brand New | Earl Cunningham | C Major | 5 | 8B | 135 BPM | ||
| No Peace | The Meditations | B♭ Major | 5 | 6B | 98 BPM | ||
| Visions of Pablo | Pablo Gad | B Minor | 6 | 10A | 123 BPM | ||
| High and Low Places | African Disciples | D Minor | 5 | 7A | 144 BPM | ||
| Innocent Man | Triston Palma | F Minor | 5 | 4A | 138 BPM | ||
| Boxing Around | Cornell Campbell | D Major | 4 | 10B | 78 BPM | ||
| M16 | Sammy Dread | C Major | 5 | 8B | 78 BPM | ||
| You Lick Me First | Half Pint | D Major | 4 | 10B | 132 BPM | ||
| Pave the Way | Mikey Dread | B Minor | 8 | 10A | 143 BPM | ||
| None A Jah Jah Children No Cry | Ras Michael and The Sons Of Negus | A Minor | 4 | 8A | 148 BPM | ||
| Come Closer My Love | The Viceroys | C Minor | 4 | 5A | 145 BPM | ||
| Born Free | Michael Rose | E Minor | 5 | 9A | 131 BPM | ||
| Cool Rasta | The Heptones | G Major | 2 | 9B | 118 BPM | ||
| Crisis | MIlton Henry | C Major | 6 | 8B | 132 BPM | ||
| A Song - 2010 Remastered Version | Pablo Moses | F♯ Major | 5 | 2B | 151 BPM | ||
| Heavy-Weight Sound | Mikey Dread | C Major | 8 | 8B | 128 BPM | ||
| Black Star Liner | Reggae Regular | F♯ Minor | 9 | 11A | 128 BPM | ||
| Lump Sum | Cultural Roots | B Minor | 4 | 10A | 143 BPM | ||
| Don't Let Babylon Use You | Fred Locks | G Major | 7 | 9B | 129 BPM |