Jeff Mills's 'The Bells - Blue Potential Version' had a release date set for June 30, 2006. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 9 out of 15 in Blue Potential - Live with Montpelier Philharmonic Orchestra by Jeff Mills. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, The Bells - Blue Potential Version's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of The Bells - Blue Potential Version by Jeff Mills is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crispy Bacon | Laurent Garnier | G Major | 6 | 9B | 130 BPM | ||
| Where's Your Child | Bam Bam | E♭ Minor | 5 | 2A | 125 BPM | ||
| Amazon - Blue Potential Version | Jeff Mills | D Major | 5 | 10B | 132 BPM | ||
| Surge Complex | Jeff Mills | F♯ Major | 5 | 2B | 122 BPM | ||
| Museum | Robert Hood | D Major | 7 | 10B | 135 BPM | ||
| Aurora Centralis | 747 | F Minor | 5 | 4A | 128 BPM | ||
| Satin Drone | Pantha Du Prince | C Major | 7 | 8B | 126 BPM | ||
| Locked And Loaded | Tony Allen, Jeff Mills | D Major | 7 | 10B | 121 BPM | ||
| Let's Prance - Radio Slave & Thomas Gandey Last Communication remix | Aphrohead, Radio Slave, Thomas Gandey | G Major | 6 | 9B | 126 BPM | ||
| The End | Len Faki, Regal | D♭ Major | 5 | 3B | 128 BPM | ||
| Terror Acid | Boston 168 | A♭ Major | 10 | 4B | 128 BPM | ||
| Locomotion | Plastikman, Richie Hawtin | D♭ Major | 4 | 3B | 150 BPM | ||
| Contrapunctus II (Version) (feat. Kronos Quartet) | Johann Sebastian Bach, Jeff Mills, Kronos Quartet | B♭ Minor | 6 | 3A | 115 BPM | ||
| Prototype - Modeselektor's Broken Handbrake Remix | Headhunter, Modeselektor | F♯ Minor | 7 | 11A | 160 BPM | ||
| Domino | Oxia | E♭ Major | 10 | 5B | 140 BPM | ||
| Hidden Empire | Marcel Fengler | G Major | 6 | 9B | 196 BPM | ||
| Fiery - Original | Recondite | A♭ Minor | 4 | 1A | 128 BPM | ||
| Acid Morning | Boston 168 | G Major | 9 | 9B | 118 BPM | ||
| Chained to a Dead Camel - Original Mix | Clouds | D♭ Major | 10 | 3B | 130 BPM | ||
| Soopertrack | Extrawelt | D♭ Major | 8 | 3B | 130 BPM | ||
| Spur | Helena Hauff | A♭ Major | 6 | 4B | 128 BPM | ||
| Wide Open - Len Faki DjEdit | DJ Hyperactive, Len Faki | G Major | 6 | 9B | 128 BPM | ||
| Marbles | Plastikman, Richie Hawtin | G Major | 7 | 9B | 120 BPM | ||
| Percee Scan | SCNTST | F♯ Minor | 7 | 11A | 125 BPM | ||
| Quicksand | Marcel Dettmann | D♭ Major | 7 | 3B | 125 BPM |