Ulysses Owens Jr.'s ' "Spectrum" was released on its scheduled release date, May 24, 2017. Spectrum is considered explicit and may contain foul language. This song is about 3 minutes and 19 seconds, which is about the average length of a typical song. The song is number 6 out of 11 in Falling Forward by Ulysses Owens Jr.. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of Spectrum is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Spectrum by Ulysses Owens Jr. is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rediscovery | Sean Mason | D♭ Major | 7 | 3B | 95 BPM | ||
| Heart Full of Rhythm | Ulysses Owens Jr. | D Major | 5 | 10B | 137 BPM | ||
| Borderline | Ulysses Owens Jr., Theo Bleckmann | G Major | 6 | 9B | 107 BPM | ||
| For the Culture | Jeremy Pelt | G Minor | 6 | 6A | 108 BPM | ||
| Call It Nothing | Paolo Fresu, Marco Bardoscia, Stefano Bagnoli, Dino Rubino, Bebo Ferra, Filippo Vignato, Federico Malaman, Christian Meyer | F Minor | 7 | 4A | 142 BPM | ||
| Fathers and Sons | Jeremy Pelt | G Minor | 6 | 6A | 108 BPM | ||
| Inside Looking Out | Alexa Tarantino | B♭ Minor | 5 | 3A | 142 BPM | ||
| Ground Up | Chris Richardson Trio | A Minor | 3 | 8A | 107 BPM | ||
| Gates to the Land of Wonders | Daniel García Trio | E Major | 4 | 12B | 131 BPM | ||
| Capital J | Sean Mason | D♭ Major | 7 | 3B | 95 BPM | ||
| Afrofuturism | Jeremy Pelt | B Minor | 5 | 10A | 101 BPM | ||
| Low Life | Mauricio Morales, Adam Hersh, Mike Moreno, Warren Wolf, Gary Novak, Rogue Lemon Collective | A♭ Major | 7 | 4B | 95 BPM | ||
| BAKKI BAKI | Tenors In Chaos | D♭ Major | 5 | 3B | 172 BPM | ||
| Giant Steps | Billy Hart | E♭ Major | 4 | 5B | 123 BPM | ||
| Proof - Live | Ben Wendel | D Major | 5 | 10B | 147 BPM | ||
| Between the Lines | Veigar Margeirsson, The Reykjavik Big Band | G Minor | 6 | 6A | 108 BPM | ||
| For Maxwell | Lafayette Harris, Jr., Jeremy Pelt | E♭ Major | 4 | 5B | 138 BPM | ||
| Certainty | Open Studio | B♭ Minor | 5 | 3A | 117 BPM | ||
| What Should Have Been... | One O'Clock Lab Band | A Major | 4 | 11B | 107 BPM | ||
| Zigzag | Sam Johnson Trio, The Menlo Horns | C Minor | 4 | 5A | 113 BPM | ||
| Bye Bye Blackbird | Tim Mayer, Rodney Whitaker, Ulysses Owens Jr. | F Minor | 3 | 4A | 90 BPM | ||
| Frenzy | Michael Mayo | D Major | 4 | 10B | 100 BPM | ||
| Ombre et lumiere | Panam Panic | D♭ Minor | 4 | 12A | 140 BPM | ||
| St. Thomas | Open Studio | D Minor | 2 | 7A | 73 BPM | ||
| Sing This Song | Quintetto Lo Greco, Lo Greco Bros | F Minor | 5 | 4A | 107 BPM |