- BPM
- 70
- Key
- E♭ Minor
- Camelot
- 2A
Pagliacci / Act 2: "No, Pagliaccio non son" by Ruggero Leoncavallo, Andrea Bocelli, Roberto Accurso, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania, Steven Mercurio Song Details
Ruggero Leoncavallo, Andrea Bocelli, Roberto Accurso, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania, Steven Mercurio's ' "Pagliacci / Act 2: "No, Pagliaccio non son"" was released on its scheduled release date, January 1, 2006. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruggero Leoncavallo, Andrea Bocelli, Ana Maria Martinez, Stefano Antonucci, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania's "Leoncavallo: I Pagliacci" album is number 24 out of 26. Pagliacci / Act 2: "No, Pagliaccio non son" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
We consider the tempo marking of Pagliacci / Act 2: "No, Pagliaccio non son" by Ruggero Leoncavallo, Andrea Bocelli, Roberto Accurso, Chorus of the Teatro Massimo Bellini, Catania, Orchestra of the Teatro Massimo Bellini, Catania, Steven Mercurio to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -8.714 dB
- Acousticness
- 94%
- Danceability
- 26%
- Energy
- 44%
- Instrumentalness
- 0%
- Liveness
- 37%
- Loudness
- 85%
- Speechiness
- 6%
- Valence
- 56%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La traviata, Act I: Follie! Follie! – Sempre libera "Cabaletta" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 117 BPM | |
 | Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée" | Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | G Minor | 3 | 6A | 131 BPM | |
 | La Sonnambula / Act 1: Sopra il sen la man mi posa | Vincenzo Bellini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 75 BPM | |
 | Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | |
 | Mattinata | Ruggero Leoncavallo, Aled Jones, Russell Watson, Tom Rainey | D Major | 3 | 10B | 131 BPM | |
 | Carmina Burana: XI. Estuans interius | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | |
 | Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | |
 | Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | |
 | Parlami d'amore Mariù | Giuseppe Di Stefano | A♭ Major | 4 | 4B | 88 BPM | |
 | Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | E Major | 0 | 12B | 89 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Bellini: Norma, Act 1: "Casta diva" (Norma, Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | |
 | Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | |
 | Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | G Major | 1 | 9B | 82 BPM | |
 | Rigoletto / Act 1: "Questa o quella" | Giuseppe Verdi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 4 | 4B | 88 BPM | |
 | Pagliaci - Vesti La Giubba | Plácido Domingo | B♭ Major | 2 | 6B | 96 BPM | |
 | Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | |
 | Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt' eine Vilja, ein Waldmägdelein" (Hanna) | Franz Lehár, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra | G Major | 1 | 9B | 176 BPM | |
 | Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | |
 | Mattinata (Orch. Faris) | Ruggero Leoncavallo, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | E Major | 3 | 12B | 79 BPM | |
 | Luisa Miller / Act 2: Quando le sere al placido chiaror d'un ciel stellato | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Peter Maag | A♭ Major | 2 | 4B | 93 BPM | |
 | Macbeth - Revised version 1865 / Act 4: "O figli...Ah, la paterna mano" | Giuseppe Verdi, Luciano Pavarotti, London Philharmonic Orchestra, Lamberto Gardelli | D♭ Major | 1 | 3B | 90 BPM | |
 | Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | A♭ Major | 4 | 4B | 88 BPM | |
 | Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Plácido Domingo, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | B Minor | 4 | 10A | 84 BPM | |
 | Кармен, Act II: "Votre toast je peux vous le rendre" (Эскамильо, Фраскита, Мерседес, Кармен) | Жорж Бизе, Государственный академический камерный оркестр России, Константин Орбелян, Dmitri Hvorostovsky, Марнье Брекенридж, Виктория Смирнова, Анастасия Чикаева | B♭ Major | 3 | 6B | 175 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records