Sevillanas Despacio's ' "Mirala Cara A Cara - bpm 110" was released on its scheduled release date, February 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Para Empezar". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Mirala Cara A Cara - bpm 110 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mirala Cara A Cara - bpm 110 by Sevillanas Despacio having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viva Cádiz, mi caleta | Juanito Villar | D Major | 6 | 10B | 157 BPM | ||
| Tanguillos de Cádiz | Jose Galvan | C Major | 5 | 8B | 113 BPM | ||
| Caminito de la Alhambra | Chiqui de Jerez | F♯ Minor | 6 | 11A | 120 BPM | ||
| Bulerías de Perrate (Bulerías de Utrera) | Tomás de Perrate, Antonio Moya | C Minor | 5 | 5A | 107 BPM | ||
| Se Quedó Dormido / Que No Se Pierda / Los Romeros / El Hizo el Camino | Una noche del camino | E♭ Major | 5 | 5B | 73 BPM | ||
| Que Poderío, Sevillana | Flamenco Sevillana | F Major | 7 | 7B | 186 BPM | ||
| Alegrías: Baile Completo | Juan María Real, Ana Real, Manuel Salado | E♭ Major | 7 | 5B | 184 BPM | ||
| Bulerías de Jerez | Joaquín El Zambo | E Minor | 5 | 9A | 111 BPM | ||
| Ya Huele a Feria / Guitarra, Volante Grana / Cruzando el Puente / Ya Están los Sevillanos | Calle Feria | F♯ Major | 6 | 2B | 95 BPM | ||
| Los Andaluces / Ponle Flores / Que Se Va Pal Rocío / la Buena Gente / Cosas del Camino / Decir Triana Es Rocío / Tengo en Mi Casa un Tambor / un Halcón y una Paloma | Plaza Nueva | A♭ Major | 7 | 4B | 172 BPM | ||
| La Estampa De Tu Figura | La Nitra | A Minor | 7 | 8A | 113 BPM | ||
| María Elena | Pansequito | D♭ Minor | 8 | 12A | 118 BPM | ||
| Alosno, La Cuna | Paco Toronjo | F Minor | 3 | 4A | 75 BPM | ||
| Carta a Napoleón (Tanguillo de Cádiz) | David Palomar | E Minor | 7 | 9A | 177 BPM | ||
| Alegrias - Sin Baile | Juana Amaya, Jose Galvan | F♯ Major | 2 | 2B | 142 BPM | ||
| Tangos del Piyayo | El Chocolate | E Minor | 6 | 9A | 135 BPM | ||
| Tardes Grises de Invierno | Melchora Ortega | A♭ Major | 4 | 4B | 99 BPM | ||
| Fandango Medio: Cante y Guitarra (2) | El Trini, Victor M. Rosa | F Minor | 5 | 4A | 91 BPM | ||
| Gaditana Tierra Guapa (Alegría de Cádiz) | Chano Lobato, A. Arenas | E♭ Major | 4 | 5B | 81 BPM | ||
| Canto (Alegrias) | El Pele, Vicente Amigo | B♭ Major | 7 | 6B | 178 BPM | ||
| Alegrías de Albero | David Palomar | F Major | 7 | 7B | 83 BPM | ||
| Antonio Vargas Heredia | Esperanza Fernández | A♭ Major | 4 | 4B | 89 BPM | ||
| Comparable A Tu Hermosura (Fandangos De Huelva) | Argentina | F♯ Minor | 4 | 11A | 145 BPM | ||
| Bulerías de Juanillorro (Bulerías) | Juanillorro | B Minor | 7 | 10A | 112 BPM | ||
| Mis Sueños | Rafael del Estad | E♭ Minor | 4 | 2A | 140 BPM |