Chris Connor's 'Moonlight in Vermont' had a release date set for August 12, 1994. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 24 in A Jazz Date With Chris Connor by Chris Connor. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Moonlight in Vermont is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Moonlight in Vermont by Chris Connor is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mood | Tessa Souter | F♯ Minor | 2 | 11A | 150 BPM | ||
| Vamp | Eva sur Seine | C Major | 1 | 8B | 119 BPM | ||
| Taking A Chance On Love | Anita O'Day, Oscar Peterson Quartet | F Major | 2 | 7B | 139 BPM | ||
| The Shadow Of Your Smile | Karrin Allyson | A Minor | 2 | 8A | 90 BPM | ||
| Them There Eyes | Carmen McRae | E Minor | 4 | 9A | 91 BPM | ||
| Do Nothing 'Til You Hear From Me | Abbey Lincoln | G Major | 3 | 9B | 74 BPM | ||
| Embraceable You | The Art Farmer Quartet | C Major | 0 | 8B | 111 BPM | ||
| Rain | Sue Raney | A♭ Major | 2 | 4B | 170 BPM | ||
| Do Nothing 'Til You Hear From Me | Molly Johnson | B♭ Major | 2 | 6B | 65 BPM | ||
| Autumn in New York | Ernestine Anderson | B♭ Major | 3 | 6B | 63 BPM | ||
| Velvet Vices | Stella Monroe | B♭ Minor | 0 | 3A | 181 BPM | ||
| Good Morning Good Day | Timeless Tone | G Minor | 2 | 6A | 116 BPM | ||
| You're Mine, You (feat. Benny Benack III) | Maria Kim, Benny Benack III | E♭ Major | 2 | 5B | 103 BPM | ||
| Join Me in a Dream | Rachael & Vilray | F Minor | 2 | 4A | 67 BPM | ||
| Two Fish - Alt Take | Nicole Zuraitis, David Cook | F Minor | 4 | 4A | 98 BPM | ||
| PS I Love You | Ketty Lester | C Major | 1 | 8B | 132 BPM | ||
| Velvet on the Wire | Miles Laroque | B♭ Major | 0 | 6B | 116 BPM | ||
| (How Little It Matters) How Little We Know | Chris Connor | F Major | 3 | 7B | 115 BPM | ||
| Even in the Evenin' | Rachael & Vilray | A Major | 4 | 11B | 93 BPM | ||
| Love for Sale | Ernestine Anderson | A♭ Major | 7 | 4B | 110 BPM | ||
| Everything I Love | Morgana King | B♭ Major | 1 | 6B | 96 BPM | ||
| A Kiss to Build a Dream On | Tony DeSare | C Major | 4 | 8B | 130 BPM | ||
| Comes Love | Irene Kral | C Major | 1 | 8B | 114 BPM | ||
| I Got Rhythm | Chris Connor | C Minor | 3 | 5A | 110 BPM | ||
| I Got A Right To Cry - Remastered | Mose Allison | A♭ Major | 3 | 4B | 120 BPM |