On March 12, 1993, the song "Vathapi: Hamsadhwani - Aadi - Dikshitar" was released by Muthuswami Dikshitar, U. Srinivas. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in U. Srinivas's "Mandolin" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Vathapi: Hamsadhwani - Aadi - Dikshitar is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Vathapi: Hamsadhwani - Aadi - Dikshitar by Muthuswami Dikshitar, U. Srinivas to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Lotus Feet | Shakti | D Minor | 1 | 7A | 95 BPM | ||
| Raga Alhaiya Bilawal - Raga Alhaiya Bilawal - Vilambit in Teentala - Drut Teentala | Kishori Amonkar | E♭ Major | 6 | 5B | 109 BPM | ||
| Earl in Shanghai | Béla Fleck, Jie-Bing Chen, Vishwa Mohan Bhatt | G Major | 2 | 9B | 95 BPM | ||
| Brahmamokate | Kadri Gopalnath | B♭ Major | 5 | 6B | 160 BPM | ||
| Moonlight Dance | Gao Hong, Baluji Shrivastav | D Minor | 3 | 7A | 92 BPM | ||
| Merging Parallels | Apoorva Krishna, Varijashree Venugopal | E Minor | 6 | 9A | 79 BPM | ||
| Khandam - A Sequence of Five | Bickram Ghosh | F♯ Minor | 8 | 11A | 170 BPM | ||
| Gajavadhana | U. Srinivas | G Major | 6 | 9B | 94 BPM | ||
| Ganapathi Stuthi - Thilang - Adi | O.S. Arun, M.S. Sukhi | F♯ Major | 7 | 2B | 157 BPM | ||
| Reel Three (Madhya Laya) | Ahmed Jan Thirakwa | G Major | 8 | 9B | 145 BPM | ||
| Raga Amritavarshini (Rain of Nectar) | Muthuswami Dikshitar, Aruna Sairam, H.N.Bhaskar, Patri Satish Kumar | A Minor | 7 | 8A | 97 BPM | ||
| Saramaina 2.0 - Behag - Tala Rupakam | Akshay Anantapadmanabhan, Harsha Nagarajan, IndianRaga, Mahesh Raghvan | A Major | 3 | 11B | 180 BPM | ||
| Ghana Ragamalika Tanam | Doraiswamy Iyengar | D Minor | 6 | 7A | 166 BPM | ||
| Raga Darbari - Drut Gat - Teentaal - Instrumental | Amjad Ali Khan, Sabri Khan | B♭ Minor | 7 | 3A | 178 BPM | ||
| Brochevarevarurar | A. Kanyakumari | C Major | 5 | 8B | 79 BPM | ||
| Sree Mahaganapathim | Kunnakudi Vaidyanathan | E Major | 5 | 12B | 96 BPM | ||
| Romantic Dhun | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | G Major | 2 | 9B | 146 BPM | ||
| Tilak Kamod | Shruti Sadolikar | A♭ Major | 3 | 4B | 156 BPM | ||
| Raga Shudh Nat | Amjad Ali Khan | C Major | 5 | 8B | 180 BPM | ||
| Deshi | Shruti Sadolikar | A♭ Major | 4 | 4B | 102 BPM | ||
| Kanchadalayadakshi | Muthuswami Dikshitar | A♭ Major | 6 | 4B | 156 BPM | ||
| Mohanakalyani Thillana | Jayanthi Kumaresh | E Major | 6 | 12B | 136 BPM | ||
| Oru Anniyar | Sounds of Isha | G Major | 5 | 9B | 144 BPM | ||
| Vagdevi Mamava | T. M. Krishna | G Major | 6 | 9B | 149 BPM |