"At Last" by Bootstraps had its release date on April 15, 2016. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Bootstraps's "Homage" album is number 5 out of 12. On top of that, United States appears to be the country where this track was created. At Last is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of At Last by Bootstraps to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cologne | Haux | E Major | 5 | 12B | 76 BPM | ||
| Learn To Fall | Lee DeWyze | E Major | 6 | 12B | 110 BPM | ||
| Maybe Tomorrow | Luke Sital-Singh | G Major | 2 | 9B | 149 BPM | ||
| Just Say Something | Nathan Ball | A Major | 5 | 11B | 75 BPM | ||
| The Well | SAILR | D Major | 3 | 10B | 156 BPM | ||
| Revel | Bootstraps | F♯ Major | 4 | 2B | 150 BPM | ||
| Unbreakable | Jamie Scott | G Major | 4 | 9B | 103 BPM | ||
| The Story | Davis Naish | A Major | 0 | 11B | 97 BPM | ||
| One Day | Bootstraps | A♭ Major | 5 | 4B | 83 BPM | ||
| Who Saved Who | Mindy Smith, Matthew Perryman Jones | C Major | 4 | 8B | 120 BPM | ||
| Was It All Worth It | The Dunwells | F♯ Major | 5 | 2B | 94 BPM | ||
| My Sweet Refuge | Roo Panes | C Major | 3 | 8B | 128 BPM | ||
| Learning to Fly | William Fitzsimmons | E♭ Major | 3 | 5B | 100 BPM | ||
| Pure | Luke Sital-Singh | F♯ Major | 2 | 2B | 108 BPM | ||
| Stone | Lee DeWyze | E♭ Major | 5 | 5B | 75 BPM | ||
| Beautiful | Austin Plaine | A♭ Major | 7 | 4B | 144 BPM | ||
| Always | Black Match | D♭ Major | 2 | 3B | 94 BPM | ||
| Moments | Link Lewis | D♭ Major | 3 | 3B | 110 BPM | ||
| Again | Lee DeWyze | C Major | 4 | 8B | 110 BPM | ||
| Don't Play Games | Aron Wright | E Major | 2 | 12B | 100 BPM | ||
| Stay | Elliot Root | C Major | 6 | 8B | 133 BPM | ||
| To Me | Jake Etheridge | E Major | 5 | 12B | 103 BPM | ||
| I Wouldn't Be | Kodaline | A♭ Major | 2 | 4B | 69 BPM | ||
| Like Only You Can | Secret Nation | D♭ Major | 4 | 3B | 148 BPM | ||
| Cavern's Dark | Mappe Of | E Major | 3 | 12B | 135 BPM |