Ravindra Bijur's 'Mruntunjay M' had a release date set for December 5, 2011. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Mruntunjay M's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 55 in Divine Mantras And Shlokas by Anil Mohile. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Mruntunjay M's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mruntunjay M by Ravindra Bijur is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM | ||
| Gurucharitra - Adhyay - 18 | Vedachary Trilochanshastri Kale | E Major | 1 | 12B | 110 BPM | ||
| Shiva | Jyothsna, Radhika | A♭ Major | 2 | 4B | 132 BPM | ||
| Shri Ganapati Atharvashirsha | Inner Splendor, Shri Vivek Godbole | D Major | 3 | 10B | 90 BPM | ||
| Swami Samarth Stuti | Kedar Phadke, Aboli Girhe, Deepali Desai | F♯ Major | 5 | 2B | 96 BPM | ||
| Maanasa Mandira | Sri Ganapathy Sachchidananda Swamiji | F Major | 7 | 7B | 95 BPM | ||
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Ashutosh Shashank Shekhar | Madhvi Madhukar | A Major | 4 | 11B | 90 BPM | ||
| Traipuraagra Vaase | Sri Ganapathy Sachchidananda Swamiji | F♯ Minor | 5 | 11A | 170 BPM | ||
| Maa Saraswati Chalisa | Shraddha Jain | D Major | 5 | 10B | 90 BPM | ||
| Shree Krishna Sharanam Mamah - Krishna Morning Mantra | Nidhi Dholakia | B♭ Major | 3 | 6B | 85 BPM | ||
| Ya Kunde Du Tushar Haar Dhavla | Ketaki Joshi | C Major | 1 | 8B | 90 BPM | ||
| Stothra Kadambam | T. S. Aswini Sastry, T. S. Rohini Sastry | D Major | 9 | 10B | 160 BPM | ||
| Kiti Vinavu Tula Rama Dayaghana by Mahesh Kale | Mahesh Kale | D Major | 5 | 10B | 100 BPM | ||
| Nrusimha Mruthyumjayam Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | B♭ Minor | 3 | 3A | 113 BPM | ||
| Dnynoba Mauli Tukaram | Jayteerth Mevundi | D Major | 4 | 10B | 180 BPM | ||
| Lakshmi Ashtothra Namavali | Mambalam Sisters Vijayalakshmi & Chitra | A Minor | 7 | 8A | 84 BPM | ||
| Shiva Stuthi | Sri Hari Atchutha Rama Sastry | C Major | 3 | 8B | 106 BPM | ||
| Ardhanareeshwara Stotram | Bhanumathi Narasimhan | A♭ Major | 1 | 4B | 183 BPM | ||
| Anusuya Atri Sukumara Shreepad Vallabh Digambara Datta stuti | Tejaswini Ingale | F Minor | 5 | 4A | 140 BPM | ||
| Parameshwaraya | Rishi Nityapragya | G Major | 4 | 9B | 102 BPM | ||
| Om Arunachaleswaraya Namaha | Dr. R. Thiagarajan | B♭ Major | 6 | 6B | 130 BPM | ||
| Pranamya Shrisa Devam (Ganesh Stotra) | Shrirang Bhave | E Major | 4 | 12B | 98 BPM | ||
| Lavo Kankuliyane Chokhaliya | Kanu Patel | B♭ Minor | 4 | 3A | 115 BPM | ||
| Sada Sarvada | Dhanashri Deshpande | C Major | 2 | 8B | 110 BPM |