Lee Wiley's 'Why, Oh Why?' had a release date set for 2005. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 28 out of 48 in Follow Your Heart by Lee Wiley. Why, Oh Why? is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Why, Oh Why? by Lee Wiley is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hot-House Rose | Lee Wiley | D♭ Major | 1 | 3B | 68 BPM | ||
| Somebody | Dorothy Dandridge | D♭ Major | 2 | 3B | 88 BPM | ||
| How Long Did I Dream? | Kay Kyser & His Orchestra, Ginny Simms | D♭ Major | 1 | 3B | 68 BPM | ||
| The Angels Cried | Martha Tilton, Hubert "Bumps" Myers, The Mellowaires | F♯ Major | 1 | 2B | 93 BPM | ||
| Blue Moon | Connie Boswell | B♭ Major | 1 | 6B | 88 BPM | ||
| I Must Have That Man - Single Version | Ella Fitzgerald and Her Famous Orchestra | E♭ Major | 1 | 5B | 79 BPM | ||
| P.S. - I Love You | Rudy Vallee and His Connecticut Yankees | D♭ Major | 1 | 3B | 68 BPM | ||
| Ain't She Sweet | Jimmie Lunceford | D♭ Major | 2 | 3B | 148 BPM | ||
| It's A Beautiful Evening | Dorothy Dandridge | G Major | 2 | 9B | 77 BPM | ||
| Serenade In Blue | Paul Whiteman & His Orchestra, Martha Tilton | E Minor | 2 | 9A | 81 BPM | ||
| Whistle While You Work | Larry Clinton, Bea Wain | D♭ Major | 1 | 3B | 68 BPM | ||
| At Last | Charlie Spivak & His Orchestra | A Major | 2 | 11B | 81 BPM | ||
| (You're Some) Pretty Doll | Eddie Condon | D♭ Major | 1 | 3B | 68 BPM | ||
| The Object Of My Affection (with Jimmie Grier) - 78 rpm Version | The Boswell Sisters, Jimmie Grier | F Major | 2 | 7B | 67 BPM | ||
| As Long As I Live | Billy Eckstine, Woody Herman & His Orchestra | C Minor | 2 | 5A | 108 BPM | ||
| One Dozen Roses | Connee Boswell | A Minor | 2 | 8A | 93 BPM | ||
| When Somebody Thinks You're Wonderful - Remastered | Fats Waller | B♭ Major | 2 | 6B | 111 BPM | ||
| It;s A Woman's Prerogative | Pearl Bailey | B♭ Major | 1 | 6B | 106 BPM | ||
| Lost Love | Fats Waller | F Major | 1 | 7B | 96 BPM | ||
| Two Sleepy People - Remastered | Bob Hope | C Major | 4 | 8B | 93 BPM | ||
| I Was Doing All Right | Ella Fitzgerald and Her Savoy Eight | D♭ Major | 1 | 3B | 100 BPM | ||
| If You Ever Should Leave | Ella Fitzgerald and Her Savoy Eight | A Minor | 1 | 8A | 109 BPM | ||
| How High The Moon | Helen Forrest | E♭ Minor | 2 | 2A | 138 BPM | ||
| Pompton Turnpike | Charlie Barnet & His Orchestra | F Minor | 2 | 4A | 86 BPM | ||
| Cuddle Up A Little Closer | Charlie Spivak & His Orchestra | E♭ Major | 2 | 5B | 81 BPM |