Chris Cresswell's 'Little Bones' had a release date set for May 16, 2014. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "One Week Record". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Little Bones's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Little Bones by Chris Cresswell having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black Box | Tony Sly | A Major | 4 | 11B | 142 BPM | ||
| Burn That Bridge When We Get to It (Acoustic) | Lagwagon | F♯ Major | 7 | 2B | 122 BPM | ||
| Lonely Days | Chris Wollard & The Ship Thieves | G Major | 8 | 9B | 101 BPM | ||
| Let's. Get. Dangerous. | Iron Chic | D Major | 5 | 10B | 123 BPM | ||
| Pistol | Dustin Kensrue | D Major | 4 | 10B | 148 BPM | ||
| All You Need - Acoustic | Snuff | G Major | 5 | 9B | 80 BPM | ||
| To the Wind | Chris Cresswell | B Major | 6 | 1B | 152 BPM | ||
| Jessica's Suicide | Bad Astronaut | C Major | 7 | 8B | 174 BPM | ||
| Violet | Joey Cape | A Major | 7 | 11B | 120 BPM | ||
| Acid Rain | The Penske File, Chris Cresswell | F♯ Minor | 9 | 11A | 140 BPM | ||
| The Quarry | Mercy Union | G Minor | 9 | 6A | 146 BPM | ||
| Social Smoker | Sunliner | E Major | 9 | 12B | 135 BPM | ||
| Requiem Once Again Revisited | Brendan Kelly | A♭ Minor | 5 | 1A | 103 BPM | ||
| Reckless in the Moonlight (feat. Genevieve) | AM Taxi, Genevieve | F Major | 9 | 7B | 124 BPM | ||
| 1998 | Mercy Union, Jared Hart | D♭ Minor | 10 | 12A | 168 BPM | ||
| Dead Friends Don't Pay Debts | Red City Radio | D Major | 10 | 10B | 195 BPM | ||
| Harsh Realms - EP Version | Tom Gabel | F Major | 5 | 7B | 97 BPM | ||
| Bitter Morning Taste | Tim Vantol | F♯ Major | 4 | 2B | 104 BPM | ||
| The Burden of Proof / Reign (Acoustic) | Joey Cape | A♭ Major | 5 | 4B | 91 BPM | ||
| I Can't See You, but I Know You're There | Laura Jane Grace | C Major | 7 | 8B | 142 BPM | ||
| Me and Denver | Dan Andriano in the Emergency Room | G Major | 6 | 9B | 88 BPM | ||
| Sugar | The Horrible Crowes | D♭ Major | 5 | 3B | 112 BPM | ||
| Free Tonight | Northcote | C Major | 8 | 8B | 114 BPM | ||
| Radio Nowhere | Northcote | G Major | 4 | 9B | 137 BPM | ||
| Bitter End | Northcote | A Major | 10 | 11B | 90 BPM |