Martin Simpson's ' "Banks Of The Bann" was released on its scheduled release date, January 1, 1989. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Martin Simpson's "Leaves Of Life" album is number 7 out of 12. In terms of popularity, Banks Of The Bann is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Banks Of The Bann by Martin Simpson to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| John Barleycorn | Martin Carthy, Dave Swarbrick | A Minor | 4 | 8A | 75 BPM | ||
| The Flandyke Shore | Nic Jones | F Major | 2 | 7B | 94 BPM | ||
| Inversnaid | Kitty Macfarlane | D♭ Major | 5 | 3B | 96 BPM | ||
| Salters Road | Karine Polwart | B Major | 1 | 1B | 188 BPM | ||
| Lowlands Of Holland | Shelley Phillips, Barry Phillips, Martin Simpson | C Major | 1 | 8B | 124 BPM | ||
| Over the Hills and Far Away | Heidi Talbot, John McCusker | B Major | 2 | 1B | 77 BPM | ||
| Birds of Passage | Breabach | F♯ Minor | 10 | 11A | 120 BPM | ||
| If I Were a Blackbird | Sam Kelly, The Lost Boys, Damien O'Kane | F Major | 3 | 7B | 127 BPM | ||
| Little Fishes/ The Rainy Day Fisherman | Jackie Oates | B♭ Major | 2 | 6B | 98 BPM | ||
| Kingfisher | Spell Songs, Kris Drever, Beth Porter | E Major | 5 | 12B | 128 BPM | ||
| Start It All Over Again | Battlefield Band | D Major | 1 | 10B | 111 BPM | ||
| Mountain Field | Metamora | A Major | 2 | 11B | 81 BPM | ||
| Little Sparrow | Jenn Butterworth | F Major | 3 | 7B | 140 BPM | ||
| John Barleycorn | The Imagined Village | G Minor | 6 | 6A | 131 BPM | ||
| I'd Rather Be Tending My Sheep | The Furrow Collective | D Major | 1 | 10B | 109 BPM | ||
| Abbotts Bromley Horn Dance, In Winters Shadow | Jessica Radcliffe, Martin Simpson, Lisa Ekström | C Minor | 4 | 5A | 122 BPM | ||
| Moving Speeches | Josienne Clarke, Ben Walker | A Major | 4 | 11B | 107 BPM | ||
| Greenfields Of America | Martin Simpson | F Major | 1 | 7B | 100 BPM | ||
| The Cunning Cobbler | Ruth Notman, Sam Kelly | B♭ Major | 1 | 6B | 93 BPM | ||
| Jock Stewart | Ewan McLennan | B Major | 2 | 1B | 152 BPM | ||
| The Golden Vanity | Jez Lowe | G Major | 4 | 9B | 125 BPM | ||
| The Seeds of Love | Bella Hardy | D Major | 1 | 10B | 96 BPM | ||
| Talk to Me of Mendocino | Karine Polwart, Dave Milligan | B♭ Major | 0 | 6B | 80 BPM | ||
| Billy Taylor | Malinky | C Major | 3 | 8B | 157 BPM | ||
| Farewell to the Gold | James Fagan, Nancy Kerr, Colin Fletcher, Martin Simpson | E Minor | 4 | 9A | 148 BPM |