On October 23, 2020, the song "6 English Folk Songs: No. 4, The Brewer" was released by Roderick Williams, William Vann. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Ralph Vaughan Williams: Folk Songs, Vol. 1". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 6 English Folk Songs: No. 4, The Brewer is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 6 English Folk Songs: No. 4, The Brewer by Roderick Williams, William Vann having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Via Crucis, S. 53: Vexilla regis | Franz Liszt, Leif Ove Andsnes, The Norwegian Soloists' Choir, Grete Pedersen | D Minor | 0 | 7A | 170 BPM | ||
| I said to Love, Op. 19b: For Life I had never cared greatly | Gerald Finzi, Roderick Williams, Iain Burnside | B Minor | 1 | 10A | 127 BPM | ||
| Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | C Minor | 2 | 5A | 118 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Tit for Tat: No. 5, Tit for Tat | Benjamin Britten, Roderick Williams, Iain Burnside | F Major | 1 | 7B | 172 BPM | ||
| Dona nobis pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 83 BPM | ||
| Mignon - Kennst Du Das Land | Ludwig van Beethoven, Iain Burnside, Roderick Williams, Ann Murray | G Major | 1 | 9B | 102 BPM | ||
| A Child of Our Time, Part III: General Ensemble. I Would Know My Shadow and My Light | Michael Tippett, Edward Gardner, London Philharmonic Orchestra, Kenneth Tarver, Roderick Williams, Nadine Benjamin, Sarah Connolly | A Major | 1 | 11B | 89 BPM | ||
| Be Thou My Vision, Triptych for Orchestra | Nigel Hess, Roderick Williams, Shirley J. Thompson, Coronation Orchestra, Antonio Pappano | G Major | 1 | 9B | 104 BPM | ||
| Frauenliebe und -leben Op. 42: 5. Helft mir, ihr Schwestern | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 1 | 6B | 85 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IVb-d. I Can No More – Rescue Him, O Lord – Novissima hora est | Edward Elgar, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | E Minor | 2 | 9A | 74 BPM | ||
| Vespers (All-Night Vigil), Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Major | 3 | 8B | 78 BPM | ||
| Tit for Tat: No. 2, Autumn | Benjamin Britten, Roderick Williams, Iain Burnside | D Major | 1 | 10B | 89 BPM | ||
| Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM | ||
| Love blows as the wind blows: III Fill a glass with golden wine | George Butterworth, Jonathan Lemalu, Belcea Quartet | F Major | 0 | 7B | 87 BPM | ||
| Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
| The Lord Is My Shepherd (2) | Alexander Uriah Boskovich, Constance Heller, Gerold Huber | F Major | 1 | 7B | 94 BPM | ||
| Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
| Spanisches Liederspiel, Op. 74: IV. In der Nacht | Robert Schumann, Marlis Petersen, Werner Güra, Anke Vondung, Christoph Berner | D Minor | 1 | 7A | 97 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| Ravel: 5 Mélodies populaires grecques, M. A 5: No. 4, Chanson des cueilleuses de lentisques | Maurice Ravel, Sabine Devieilhe, Alexandre Tharaud | A Major | 0 | 11B | 71 BPM | ||
| Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 74 BPM | ||
| Annelies: I. Introit - Prelude (Chamber Version) | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Le Rossignol des lilas | Reynaldo Hahn, Susan Graham | A♭ Major | 1 | 4B | 70 BPM | ||
| Seven Poems by James Joyce, R. 51: VII. Now, O now, in this brown land | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM |