On November 20, 2015, the song "Meri Saari Maya Twema Cha" was released by Parmod Kumar. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Swarg Bhari Maya". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Meri Saari Maya Twema Cha is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Meri Saari Maya Twema Cha by Parmod Kumar having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Meera Bhabhi Ji | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Chalo Himachal Dwar | Suresh Wadkar | B♭ Major | 9 | 6B | 78 BPM | ||
| Bhaujee Ke Bhaile | Mhod . Aziz, Sapana Avsthi, Chaitali | F Major | 7 | 7B | 90 BPM | ||
| Amar Cuondai Oodhu | Moinuddin Manchala, Prakash Mali | D Major | 7 | 10B | 138 BPM | ||
| Raat Shyam Sapney Mein Aaye | Vandana Bhardwaj | F♯ Major | 8 | 2B | 140 BPM | ||
| Pratham Samru Saraswati Ne | Suresh Raval, Meena Patel | C Minor | 4 | 5A | 118 BPM | ||
| Savti Na Apnaayib | Vishnu Ojha | F Minor | 5 | 4A | 138 BPM | ||
| Anbolani Hoge Guiya | Ratan Sabiha | F Major | 6 | 7B | 153 BPM | ||
| Sach Kehta Hoon | Narendra Chanchal | A♭ Minor | 8 | 1A | 152 BPM | ||
| De Do Na Baba Sunder Aego Laabhar Ho | Parmod Kumar | A♭ Minor | 10 | 1A | 150 BPM | ||
| Satguru Bandhan Katan Aaye Koi Katvana Chahve | Radha Swami Satsang Dinod | F Major | 5 | 7B | 93 BPM | ||
| Chalo Chalo Re Shyam Ke Dwar | Rajni Rajasthani, Ramavtar Sharma | F Minor | 9 | 4A | 98 BPM | ||
| Sanwariya Khinche Dor | Udit Narayan | C Minor | 6 | 5A | 94 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Onlay For You | Trilok Priyadarshi, Mohd. Niyaz, Parmod Kumar | E♭ Minor | 5 | 2A | 143 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | D♭ Major | 1 | 3B | 66 BPM | ||
| Hajma Dheere Dheere Katiyhe Bhuya K Kesh | Poonam Mishra | D Major | 7 | 10B | 167 BPM | ||
| Majisa Maharanisa | Udaysingh Rajpurohit | G Major | 6 | 9B | 110 BPM | ||
| Thakur Anukul | Sanat Ghosh, Saroj Patra | F Minor | 7 | 4A | 114 BPM | ||
| Mere Baba Tera Brahmakumaris | BK Asmita, B.K. Sarojini | E Major | 9 | 12B | 87 BPM | ||
| Rat Le Hari Ka Naam | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Dandalu Dandalu Srirama | Akunuri Devayya | B Major | 6 | 1B | 143 BPM | ||
| Mhe To Lulta Lulta Aaungi | Gopal Bajaj | B♭ Major | 9 | 6B | 81 BPM | ||
| Le Le Chal Sath Mein | Vishnu Ojha | F Major | 5 | 7B | 145 BPM | ||
| Bane Dulha Chabi Dekho Bhagwan Ki Bundeli Vivah Gari | Urmila Pandey | D♭ Major | 7 | 3B | 158 BPM |